“I think that we are now facing really, not just a technological crisis, but a philosophical crisis. Because we have built our society, certainly liberal democracy with elections and the free market and so forth, on philosophical ideas from the 18th century which are simply incompatible not just with the scientific findings of the 21st century but above all with the technology we now have at our disposal.”
Author: Douglas McLennan
National Portrait Gallery Doubles Annual Attendance Because…
The museum served over two million visitors in its 2018 fiscal year (which ended September 30), doubling its annual average of 1.1 million patrons since 2013. In a press release from October 3, Kim Sajet, director of the National Portrait Gallery, said 66 percent of attendees in 2018 were millennials or gen-X individuals.
Banksy Painting Sells For $1.4 Million, Then Self-Destructs
The work, “Girl With Balloon,” a 2006 spray paint on canvas, was the last lot of Sotheby’s “Frieze Week” evening contemporary art sale. After competition between two telephone bidders, it was hammered down by the auctioneer Oliver Barker for 1 million pounds, more than three times the estimate and a new auction high for a work solely by the artist, according to Sotheby’s. “Then we heard an alarm go off,” Morgan Long, the head of art investment at the London-based advisory firm Fine Art Group, who was sitting in the front row of the room, said in an interview on Saturday. “Everyone turned round, and the picture had slipped through its frame.”
Why Getting Diversity In Theatre Is Complicated
Surveying the acres of white faces (and mostly greying or balding heads) in the West End, it is hardly surprising that theatres have traditionally deliberately catered to them. But what happens if you put on a show that doesn’t only speak to them? You might get a different sort of audience.
Would A Tourist Tax Help The Arts In Scotland?
Expectations have been raised that a tourist tax could help ease the burden on the public purse of the festivals – but does that put their future public funding under threat?
Why Is Museum Attendance Falling In London?
London’s issue with cultural tourism stands in contrast to other global cities, like New York City and Paris, where museums are seeing steady growth and record-breaking numbers of visitors. The Metropolitan Museum of Art even saw a record 7.35 million visitors in last year’s fiscal year. The Louvre welcomed 8.1 million visitors last year, up 10% from 2016.
How Conductors Are Like Theatre Directors
Ideally, conductors and directors enable musicians and actors to express themselves as individually as possible, while inspiring them to do so along a route that they have chosen for the group as a whole. Managing a broad coalition that still has a distinct vision as its aim might appear a contradiction to some, but achieving this – without any sense of artistic compromise – is definitely the goal.
The Power Of Positivity To Define Your City
In 2003, Hull was named the UK’s number one ‘Crap Town’, according to Sam Jordison’s less-than-favourable alternative city guide. Ten years later, it was named the successful bidder for UK City of Culture 2017. There were numerous facets to the success of Hull’s City of Culture bid and year. Winning it was a reflection of the huge collective power of a city to make change happen, and what can be achieved in the arts when we come together as a sector to achieve a common objective.
How Should We Judge Others For Past Moral Failings?
“As a philosopher, I believe this ethical conundrum involves two issues: one, the question of moral responsibility for an action at the time it occurred. And two, moral responsibility in the present time, for actions of the past. Most philosophers seem to think that the two cannot be separated. In other words, moral responsibility for an action, once committed, is set in stone. I argue that there are reasons to think that moral responsibility can actually change over time – but only under certain conditions.”
How Robert Venturi Changed Architecture
Much emphasis has been placed on the anti-modernism elements in Venturi’s work—and for good reason. His sometimes scathing, often humorous criticisms of modernism (specifically late modernism) were timely and necessary.