In the wake of #OscarsSoWhite, #BlackLivesMatter, and discussions of gentrification and cultural appropriation, issues of museum diversity, or lack thereof, has become increasingly common.
Author: Douglas McLennan
Berlin Used To Be A Magnet For Artists. Now They Can’t Afford To Live There
Since the 1990s, Berlin has served as a magnet for artists drawn by cheap rents, large empty buildings, a vibrant subculture and a hip, liberal atmosphere. It ranks as the most important centre for art production in the world after New York. Olafur Eliasson, Ai Weiwei and Alicja Kwade are among the prominent artists with studios here. But for the past ten years, the city has been in the grip of a property boom, with spiralling price increases threatening its allure for artists. In 2017, Berlin had the fastest-growing real estate prices in the world, up 20.5% in a year, according to the property consultancy Knight Frank.
Study: Having Books In Your House While Growing Up Conveys Long Term Benefits
Growing up with few books in the house was associated with below-average literacy rates, while he presence of around 80 books raised those rates to the mean. Literacy continued to increase with the number of reported books up to around 350, at which point it flattened out.
Restoration Of German Architecture: Can Traditional Be Separated From Ideology?
According to Stephan Trüby, a professor of architecture at the University of Stuttgart, the Garrison church plan is an example of what he claims is now a disturbing pattern. “We can currently witness a cultural tendency of using seemingly harmless terms like identity’, ‘tradition’ and ‘beauty’ to establish an idea of ethnic purity protected by a fortress Europe,” he says. Elsewhere, writers wield terms such as heimat (home) and boden (soil/earth), which have both a long tradition in German thought and specific far-right meanings.
Sell Art Work To Fund Chicago? It’s A False Debate
“I get why the city sees a solution in selling the work. How else can a bureaucracy generate so much cash so quickly from such a modestly sized asset? But it also perpetuates a disturbing mentality that I’ve found myself writing about again and again this year: namely, that culture—particularly in underserved neighborhoods—is only a priority if and when the costs can be covered by private-sector patrons.”
The Planet Is Dying. So How Do You Write About That?
Hope and its doleful twin, Hopelessness, might be thought of as the co-muses of the modern eco-narrative. Such is the world we’ve created—a world of wounds—that loss is, almost invariably, the nature writer’s subject. The question is how we relate to that loss. Is the glass ninety-five per cent empty or is it five per cent full?
Zimbabwe Has Never Had A Ministry Of Arts. Should It?
For 38 years since Zimbabwe’s independence, there has never been a single government ministry dedicated to the arts only. Yes, we understand the need for government to trim down its Cabinet and to save money, but if they ever thought that the arts were an important societal need, a separate ministry for the arts would have been created.
Are Orchestras Culturally Specific? And So…
“Given my experiences in Mexico, my lingering question has been, “Who decided, or why do we feel, that we must upend our programming in order for people of targeted ethnicities to comprehend and enjoy classical music played by a live orchestra?” It strikes me as suspiciously odd that, for all our talk about the universality of classical music, administrators, and, certainly some musicians, when they think of specific ethnic groups, must suddenly condescend to them, patronizingly and awkwardly changing what we do to suit all the clichés.”
Is Twitter A Malign Influence On Theatre?
“The whole idea that you have a medium that is based on rapid response, and yet has lack of nuance built into its form, is very difficult, and is leading to a very binary culture, which I think makes it difficult to be truthful in art. I think that for a writer, you have to be constantly aware of how unbinary and complex every issue is, so the loss of nuance generally I think is quite dangerous.”
A Study To Measure The Impact Of Arts Education
The Policy Institute at King’s College London will study the effect of the creative education programme on students’ development, examining how arts education can help young people overcome challenging circumstances. By measuring the effect of the programme on the students’ personal and academic development, the institute aims to generate valuable evidence that provides a “greater understanding of effective ways to engage with young people”.