Star Russian Director’s Trial Seen As A Threat To Artistic Freedom

Kirill Serebrennikov has been charged with embezzlement and faces 10 years in prison. Supporters have compared his trial to the purge of directors during the Soviet Union and the censorship of leading writers under the Tsars. “People of culture have always held the most dangerous position in Russia,” Liya Akhedzhakova, a celebrated actor who starred in Soviet classics like Office Romance, told the Guardian in court on Tuesday. “They are the first to be targeted.”

The Answer To Chaos And Threat In The Modern World? The Values Of Our Great Institutions

“We allow our great cultural institutions to fall into disrepair and disrepute because, as we strip them of their reverential traditions and their arduous canon, we also strip them of our reasons to cherish them. We call them before the tribunal of public opinion to justify their very existence, as if we can no longer see through the smog to the heights of Parnassus, lonelier than ever because we have forgotten that it is even there. We attempt to chain the Muses to the machinery of our modern malaise, as if we do not remember that they exist to show us the way to transcend that malaise, to find our way home again, by way of that steep and difficult climb, to the bosom of art and learning.”

Once Great Works Of Art Are Sold, They’re Gone. Disappeared.

Should there be some legislation against the risk that a buyer will effectively or literally destroy a work of art? Particularly one which could be designated a “world treasure”, on a list of the sort that Unesco releases on protected monuments? One that would oblige private owners to make the works accessible within reasonable terms and require them to maintain the work, which could be considered a matter of international interest?

Why We Need A Better Way To Study The Arts

There have been many studies that take advantage of this process, and they bulk out much of the academic literature on the impact and value of the arts. The build-up to this new centre has revealed a critical mass of scholars and artists who have an appetite (and now the opportunity) to do things a bit smarter, with nuance and sensitivity to the richness of cultural experience, that doesn’t simply reduce cultural experiences to mathematical equations.

The State Of Illinois Needs A New Arts Policy. Really.

The economic-development arguments for the arts are as well-worn as they are indisputably accurate, but it is high time arts advocates in Chicago admit that they have not made an effective statewide case. It also is high time for arts advocates in Chicago to admit that so much state arts funding should not be swallowed up by relatively rich institutions in downtown Chicago. It should be for everyone.

The Contemporary Novel Might Not Look Familiar, But It’s Thriving

The familiar world becomes alien within a single lifespan. In such a world of relentless evolution, art is perpetually in danger of being outstripped, every “realism” of describing a vanished reality. Just as capitalism erases difference to make way for a homogenous global anti-culture, artistic traditions are swept aside, denounced as irrelevant almost as soon as they have established themselves. Today, Ezra Pound’s modernist command to Make It New! sounds like nothing so much as a corporate slogan for Apple or Huawei. Capitalism and the avant garde check each other out from across the room, seeing much to admire.

How Pittsburgh Symphony Musicians Are Fighting Food Waste

Musicians began volunteering with 412 in September 2016, when violinist Lorien Benet Hart reached out to the food rescue organization in search of a way for musicians to contribute to the community during a two-month musicians’ labor strike. Since then, she has coordinated with 412 to send different groups of musicians and — starting a few months back — symphony staff members on a run or two a month to help connect good food that would have gone to waste with organizations that put it to better use than filling dumpsters.

The Gilded Age’s Most Famous Architects

“Today, you couldn’t tear down a McKim, Mead & White building. The preservationists wouldn’t let you.” But the firm’s long tenure at the top of the architecture field wasn’t always guaranteed. “They were the Ralph Lauren, the Rolls-Royce of architecture. Then the modern movement started, and boy did they crash. From 1925, when white walls and European modernism began its takeover of architecture, McKim, Mead & White were poison to the profession.”