Why Diversity Matters

Roughly speaking, the most common defense of diversity has two parts. The first focuses on the educational and social benefits of diversity. The second attempts to show the inherent value of a diverse environment, one that is in some sense representative of the diversity of the American, or perhaps global, population.

2018 Dictionary.com’s Word Of The Year: Misinformation

“In 2018 we need to be talking about misinformation because misinformation is what’s driving people’s choices, behaviors, and action. There has been a lot of misinformation about what’s happening around the world, and it’s creating a lot of chaos.” Misinformation is defined by Dictionary.com as “false information that is spread, regardless of whether there is intent to mislead.”

Is Shame A Sign Of A Failure Of Moral Standards?

Most philosophers agree that shame is about failing to live up to our moral ideals, but stories such as Lucy Grealy’s and others’ seem not to fit this definition. For example, it’s common for people who suffer from mental illness to feel shame. People who experience povertyfeel shame because of it. It’s also common for women to feel shame more often than men, and for black people to feel shame more often than white people. To argue that all these people must feel shame because, deep down, they feel like moral failures, we’re assuming that entire populations are suffering from delusion. Maybe the problem isn’t that these cases are irrational. Maybe the problem is that shame isn’t about ideals in the first place.

William Goldman Wrote “The Best Book Ever” About The Theatre

Its primary accomplishment is its bluntness, reflected in the subtitle A Candid Look at Broadway. No writer has better captured the way theater insiders actually talk about their craft. Goldman listens in on artists discussing how to fix shows out of town, to curmudgeonly patrons and critics on the aisle, and to producers working out how to make money—even on flops. Goldman never wrote another book about the theater, and he wrote this one with the unmistakable swagger and detail of someone who can burn every bridge because he knows that his subsequent career will be elsewhere.

The Open Office Promised To Boost Creativity. Instead…

The borderless fluidity of open offices seems perfectly suited to the ambitions of the internet age—while also replicating its failed aspirations toward “connectivity.” Just as hyper-modulated online interactions, contrary to the promise of their conceptual foundations, cordon people into niche micro experiences, so the open office counterintuitively isolates office workers. A recent study from Harvard Business School confirms this deterioration of face-to-face interaction.

Alex Ross: The LA Phil’s Mission To Expand An Orchestra

The L.A. Phil’s offbeat ventures are well and good, you sometimes hear people in the classical world mutter, but how’s its Beethoven? Isn’t the programming better than the playing? That put-down is unconvincing: an organization that can bring “Sustain” into the world is more valuable than one that executes yet another hyper-polished Beethoven Seventh. Still, the L.A. Phil has sometimes come up short in mainstream repertory, lagging behind the Cleveland Orchestra, the Chicago Symphony, or the best European groups.

Remote Islanders Killed An Intruding Missionary Who Wanted To “Convert” Them

John Allen Chau’s very presence on the island posed a danger to the Sentinelese, since they may not have developed immunity to the common microbes he carried with him. He also threatened their way of life: In recent years, given the growing consensus that modern visitors tend to erode the cultures of isolated tribes, the Indian navy has enforced a “no contact” policy with the Sentinelese and other tribes in the area, patrolling the waters to prevent infiltration by anthropologists and adventure-seekers alike.

If All The Critics Are Gone, What Happens To Explaining New Dance?

For the most part, dance criticism as we have traditionally defined it is vanishing, probably forever. And no amount of verbiage on how pointe shoes are made or what a dancer eats for breakfast is going to help audience members — not to mention future historians — understand what is happening onstage in today’s dance. “This means that dance is becoming another item in the experiential supermarket, a thoughtless art without a memory,” Mainwaring writes. “As emerging choreographers come onto the scene — and there’s some very substantive work being made today — it remains unclear as to who will have either the expertise or the outlet needed to discuss the importance of these developing artistic voices.”