Chinese Government Control Of The Art Market Threatens It

What counts as a problematic work tends, loosely, to be anything explicitly sexually suggestive, some nudes, those with religious subject matter and politically engaged works that might be construed as criticising the Chinese regime. A foreign exhibitor at one of the fairs says anonymously that they were not allowed to bring a work that joked about global trade and Chinese manufacturing. Works by Georg Baselitz and Francis Bacon, proposed by international galleries were apparently among those turned down this year.

Artists Protest Impending Crackdown On Artistic Freedom For Cuban Artists

Once it is enforced, starting December 7, the law will touch every facet of Cuba’s cultural sector. The government will be able to target and punish artists, writers, filmmakers, musicians, and performers who create and commercialize art that was not approved by the state as well as the venues hosting the artists. Those found in violation of the law could face fines, seizure of property, and detainment. Scores of artists and critics of the decree have rallied against it. – Artforum

How The Inkan Civilization Thrived Without An Alphabet

Instead of writing, the Inkas’ principal bureaucratic tool was the khipu. A khipu consists of a number of strings or cords, either cotton or wool, systematically punctuated with knots, hanging from a master cord or length of wood; pendant cords might also have subsidiary cords. The basis of khipuaccounting practice was the decimal system, achieved by tying knots with between one and nine loops to represent single numerals, then adding elaborations to designate 10s, 100s or 1,000s. – Aeon

Esa-Pekka Salonen To Leave As Conductor Of Philharmonia Orchestra

Under his leadership, the orchestra has raised its profile and broadened its repertoire, excelling in early 20th-century music. It has also been at the forefront of imaginative and inclusive digital projects – its award-winning immersive installations, Re-Rite and Universe of Sound, gave audiences the opportunity to explore an orchestra section by section and experience music from a player’s point of view. More recently, virtual reality projects allowed those donning the goggles to get to the very heart of the orchestra and encounter symphonic music as if sitting under Salonen’s nose. – The Guardian

Trying To Understand The Met Museum’s Need For An Expansion?

Last year, we heard that the Met had deficits. It pushed people out, cut its budget, and instituted a terrible $25 admission fee for tourists. I’m not given to amnesia, so I’m having a hard time squaring a need to reduce deficits, an unprecedented admission fee, a $70 million gallery redo, and that second baby behemoth, a $600 million new contemporary and modern wing. – National Review

Wherein I Try To Plug In To The Great American Songbook

“I was now connected directly to the heart of the Great American Songbook. It was like knowing a guy who knew a guy who knew God. If the comparison seems blasphemous, let’s recall the central role of the songbook in this nation’s culture. We don’t call them standards for nothing: they exude the off-the-cuff elegance and colloquial zing that are supposed to be our hallmark. Also, they’re beautiful, and economical enough to break your heart with a single phrase.” – The New Yorker

Study Of Literature Has Become More About Policing Than Enjoyment

The current group of politically minded critics makes a different point. Greatness is a possibility, but only if you’re not politically benighted. The misogyny and racism of major authors don’t just make for bad politics; they make for bad writing. In parodying the stupid ways in which Updike, Philip Roth, or Ian McEwan describe women, feminist readers are offering a kind of aesthetic education — seeking to shame authors into no longer producing such horrible prose and less politically conscious readers into no longer appreciating it. – Chronicle of Higher Education