“I confirm the Musée du Louvre has asked for the loan of the Salvator Mundi for its October exhibition and truly wishes to exhibit the artwork,” a spokeswoman for the institution tells The Art Newspaper. The museum has requested the work’s loan from its owner but “the owner has not given his answer yet,” the Louvre spokeswoman says. – The Art Newspaper
Author: Douglas McLennan
Fears Of A Crackdown On Artists In Cuba
The government issued a decree that requires artists to obtain government approval before performing or displaying their work, while also regulating the artwork itself. For example, it prohibits audiovisual content that contains “sexist, vulgar and obscene language” or that uses “national symbols” in ways that “contravene current legislation.” Government inspectors can impose fines on offenders and confiscate their property. – The New York Times
If Netflix’s Roma Wins Oscars’ Best Picture, It Will Change The Movie Business Forever
If a film primarily distributed online wins, the debate in Hollywood about what constitutes cinema is over. It would strike a blow to the big multiplex chains, which have refused to show “Roma” because Netflix offered them an exclusive play period of only three weeks; three months is the norm. As far as box office figures, Netflix has said the film has appeared in about 250 theaters in the United States since it was released on Nov. 21, but it refuses to disclose ticket sales. A win by “Roma” could embolden old-line studios like Universal and Warner Bros. to shorten their own theatrical “windows.” – The New York Times
When Science Became Stories (Surprise – It Got Popular)
“That professionalization process had the effect of setting up boundaries between ‘scientists’ and anyone else who might be interested in science, so it led to the exclusion of a whole bunch of people from formal scientific activity. Arguably, popular science created its own demise by making science too popular and too successful.” – Smithsonian
A Project To Democratize The Publishing Of Art Books
Artist Publisher, a new online forum launched by the Chicago-based printing collective Temporary Services, aims to encourage online discussion of art books and to democratize knowledge of a precarious industry. – ARTnews
The Curious Story About The Musician Who Faked His Live Performances?
The Composer’s music moves people, and he is not characterized in the book as necessarily a bad person; he meets with every fan who stays after the concert to chat with him, and he knows his work provides comfort to people going through the hard years after September 11. And his CDs are his own compositions. It’s just that if you were to pay to see a performance by the Composer’s ensemble, it might not necessarily be a “live” rendition by the musicians on the stage in front of you. – New York Magazine
Canada’s National Gallery Gets A New Director
Alexandra Suda comes to the position from the Art Gallery of Ontario (AGO), where she is currently the curator of European art and the R. Fraser Elliott chair of prints and drawing. – CBC
Chicago Opera Theatre’s New Director: Chicago To Lead New Opera Revolution
Ashley Magnus: “Right now, we’re in a golden era of American opera. Significantly more operas have been written in the US between 1997 and the present than in the 100 years prior. I would love for people to take risks and support new opera the way that they support exciting new projects in other art forms.” – WFMT
Were The Arts Impacted By The American Government Shutdown?
Bob Lynch tries To Add it up: “A specific example of the chilling effect of the shutdown’s impact on arts organizations and local businesses comes again from the Smithsonian, which reportedly lost $1.5 million in revenue during the first 10 days of the shutdown. According to the Secretary of the Smithsonian David Skorton, the roughly $1 million a week that the institution lost is unrecoverable and will have long-term impact.” – Americans For The Arts
Amazon Pulls Out Of Plans For Queens – When Company Culture Doesn’t Need Local Grief
Amazon had a deal and could have simply gone ahead. But the company had no allegiance to Queens and no need to be where it wasn’t wanted. “Amazon’s retreat from Queens shows us the dynamics of a new local power game — one in which giant tech companies play on the same field with governments, as equals, with equal influence over our economies and communities.” – Axios
