Author: Douglas McLennan

Dorrine Kondo: Film Industry Diversity Numbers Are Revealing, But Not Nearly The Whole Story

“In my book “Worldmaking: Race, Performance and the Work of Creativity,” I approach the issue of diversity as a cultural anthropologist, playwright and performance studies scholar. In it, I argue that cultural representation is about something deeper than parity for the sake of parity – that everyone needs to be mirrored in the public sphere in order to exist and to count as a fully dimensional human being.” – The Conversation

In The 1930s, The Hammond Organ Took America By Storm, Setting A New Standard

The Federal Trade Commission held an entire hearing in 1937 to evaluate the Hammond’s sonority. The Commission sought to determine whether a series of advertising claims about the Hammond’s timbre were “deceptive, misleading and false.” Though many of the hearing’s participants believed their testimony would go down in history as an important reckoning of what constituted “real” and “good” musical sound, the affair is largely forgotten today. What the hearing does offer is an unusually detailed record of contemporaneous arguments over the quality and value of a new electronic sound. – New Music Box

Reasons To Care About The Bauhaus 100 Years On

“If you like airy, light-filled buildings, functional furniture, elegant, affordable design, sans-serif typography and clean-lined graphic design, you care about the Bauhaus. Equally, if you hate boxy, flat-roofed buildings, relentless standardization, the death of curves, ornament, the ironing out of cultural differences and overly rational planning, you care about the Bauhaus.” – Washington Post

The Case Against The Obama Presidential Library

In the Obama center case, foes of the $500 million plan have centered their objections around the site location—a perch in an historic park designed by Frederick Law Olmsted and Calvert Vaux in 1871. Almost no one objects to the Obama Presidential Center coming to Chicago’s South Side, but some feel that it hoovers up an existing community asset instead of creating a new one. The question has lingered over the project since its introduction near the end of the president’s tenure in 2015. – CityLab

Social Platforms Want To Cut Down On Spreading Fake Conspiracy Theories. But There’s A Problem…

Part of the problem for platforms like YouTube and Facebook — which has also pledged to clean up misinformation that could lead to real-world harm — is that the definition of “harmful” misinformation is circular. There is no inherent reason that a video questioning the official 9/11 narrative is more dangerous than a video asserting the existence of U.F.O.s or Bigfoot. A conspiracy theory is harmful if it results in harm — at which point it’s often too late for platforms to act. – The New York Times

Cultural Objects Versus Immigrants – A Disconnect

“Since the independence of West African countries throughout the late 1950s and early ’60s, the retention of objects and the simultaneous rejection of people has become ever more fraught. Young undocumented migrants from former French colonies stand metres away from the Musée du quai Branly – Jacques Chirac, a museum in Paris full of their inaccessible patrimony. The migrants are treated with contempt while the objects from their homelands are cared for in museums and treated with great reverence. The migrants will be deported but the objects will not be repatriated. The homeland is therefore only home to objects, not people.” – Aeon

Film Critic Carrie Rickey Talks About Weinstein, #MeToo And Movies

“Naturally, as a woman and a mother, I am not for sexual predation of women in any industry. That kind of goes without saying. Before Nora Ephron died, she made a list of the things she wouldn’t miss. I think number one or two on that list of things I won’t miss are more panels about why there aren’t enough women in film. That’s kind of how I’m feeling now. We talk about it, and we talk about it, and nothing fucking changes. You can quote me on that.” – The Smart Set