Shapeshifter: The Shed As Shell – Relevance TBD

Justin Davidson: “The idea of a building that could be dismantled, rearranged, and reassembled has not generally fared well in the world of building codes and construction trades. The Fire Department does not take kindly to the idea that a staircase that’s there today may vanish by tomorrow. The arts, too, have rigidities of their own. Impresarios may not care to pin down a work with a label like “theater,” but the stagehands’ union wants to know whether a show falls under its jurisdiction.” – New York Magazine

Big Tech’s War To Dominate The World

Apple, Amazon, Facebook, and Google are waging a war of all against all—a war for all of your time, all of your money, all of your worldly interactions and desires. They want to be your one indispensable partner for navigating life, and to get there, they must destroy one another. If the government doesn’t step in, the American public will become collateral damage. – The New Republic

Why Tell The Gwen Verdon/Bob Fosse Story Now?

There is something undeniably glamorous about their story—the prince and princess of American dance—and something undeniably magical in the work they crafted together. In 2019, this story should be an act of reclamation, at least for Verdon; of her agency, of her contributions, of her pain. But instead of focusing on her interiority, on developing her feelings of betrayal and resentment as more than Douglas Sirk-esque melodrama, it often shows her dancing around and on top of her emotions. – The New Republic

The Shed Is A Huge Experiment: Let’s See What Happens

So far the Shed has raised an astonishing $500m. As is traditional in the US, where public funding for the arts is minimal and institutions rely on philanthropy, the names of the biggest donors are prominently displayed in the foyer. These include companies such as Coach and Google, who have neighbouring offices and stores. “We’ve got [wealth] right there in our face,” says Alex Poots, “and as long as they keep being generous, this kind of ecology is a transformer for arts. Call the Shed the Robin Hood, but let’s see if it works.” – The Guardian