Best-Selling Big-Idea Books Riddled With Errors – Should They Be Better Than Random Tweets?

“The time has come for those of us who work in book-length nonfiction to insist that professional fact-checking become as inalienable from publishing as publicity, marketing and jacket design — and at the publisher’s expense rather than as a cost passed on to the author, who, understandably, will often choose to spend her money on health care. In the age of tweets, it cannot be the fate of the book to become ever more tweetlike — maybe factual, maybe whatever. The book must stand apart, must stand above.” – The New York Times

A Crossroads For The Oregon Shakespeare Festival

The nation’s oldest and largest nonprofit repertory theater company is at a pivotal moment, with change at the top and challenges everywhere. It’s bringing in its first new artistic director in 12 years and preparing to start a search for a new executive director. It’s coming off a smoke-plagued 2018 season that ended with 26 outdoor performances either canceled or moved indoors, $2.3 million in losses and 16 layoffs.  – The Oregonian

Get Ready: Now We Have Virtual Celebrities (And They’re Popular)

Miquela Sousa, also known as Lil Miquela, is a fictional character created by a Los Angeles startup called Brud. Miquela has 1.5m followers on Instagram, where she shares pictures of her imaginary life and proclaims her support for LGBT rights and Black Lives Matter. In the past few years, the virtual model has become a veritable celebrity: starring in Ugg ads, interviewing artists at Coachella and collaborating with Prada.  – The Guardian

Turns Out AI Machines Can Hallucinate (Or Are They Seeing Things We Can’t?)

Adversarial examples are like optical (or audio) illusions for AI. By altering a handful of pixels, a computer scientist can fool a machine learning classifier into thinking, say, a picture of a rifle is actually one of a helicopter. But to you or me, the image still would look like a gun—it almost seems like the algorithm is hallucinating. – Wired