The Offstage Toll It Takes To Play A Loathsome Racist Character

“It can be fraught and isolating, it seems, portraying a white character activating the racial overtones of a beloved novel brought to the stage. Just ask Fred Weller, essayer of Bob Ewell, the patently evil father of Wilhelmi’s Mayella, who forces her to concoct the story that sends a blameless black man, Tom Robinson, to prison for rape.” – Washington Post

Unlimited Information And Free Access? Turns Out It Was A Problematic Idea

The Palo Alto Consensus held that American-made internet communication technologies (both hardware and software) should be distributed globally and that governments should be discouraged from restricting speech online. Its proponents believed that states in which public discourse was governed by “everyone” — via social media and the internet — would become more democratic. – The New York Times

The Surprising And Enduring Relevance Of Sam Shepard

That Shepard is starting to feel like a guide for the rest of us is surprising. He died two years ago, at the age of 73, and although the valedictions from the dramatic world were respectful, few suggested that his work was acutely relevant. But Shepard plays are back in season, and they are neither antiquarian nor regional. They are modern—even visionary—and disturbingly universal. – The Atlantic