Confessions Of A Sex Scene Coach: How Movie Sex Has Changed In The #MeToo Era

Alicia Rodis was struck by how much more care went into staging physical interactions that were violent or dangerous than into staging those that were sexual. For a fight scene, choreographers mapped out every beat, helping actors work through each movement in slow motion, over and over, until they were automatic. In stunt work, a focus on safety was considered “nonnegotiable.” Why weren’t sex scenes governed by the same approach? – The Atlantic

French Architects Attack Plan For A Makeover Of Paris Gare Du Nord Train Terminal

The award-winning French architect Jean Nouvel as well as historians and town planners wrote an open letter to Le Monde saying the €600m (£540m) renovation plan to create a glass structure – with tens of thousands of square metres of shops, walkways, split-levels and 105 escalators – was a “serious urban error” that would deform the historic building, fail Parisians and befuddle travellers. – The Guardian

The Scientist Who Believes Plants Can Talk

Last year Dr. Monica Gagliano published a heady and meandering memoir about the conversations with plants that inspired her peer-reviewed work, titled “Thus Spoke the Plant.” She believes, like many scientists and environmentalists do, that in order to save the planet we have to understand ourselves as part of the natural world. It’s just that she also believes the plants themselves can speak to this point. – The New York Times

Linda Ronstadt On Her Life With Parkinson’s

“I have a form of Parkinsonism that doesn’t respond to standard Parkinson’s meds, so there’s no treatment for what I have. It’s called P.S.P.—Progressive Supranuclear Palsy. I just have to stay home a lot. The main attraction in San Francisco is the opera and the symphony, and I make an effort and go out, but I can only do it a few times a year.” – The New Yorker

How Radio Technology Conspired Against Women’s Voices

Women who speak publicly and challenge authority have long been dismissed as “shrill” or “grating.” What’s less widely understood is how the design of the technology that transmits human voices has shaped this gendered invective since the dawn of the broadcast era: everything from microphones to modes of transmission have been optimized for lower voices. – The New Yorker