Author: Douglas McLennan

Do We Need Critics For Cities?

Given how long we’ve relied on the work of critics on film, music, food, and much else besides, as well as the ever-increasing relevance of cities in our lives, it’s time we recognised city criticism as its own distinct category of writing. But what is city criticism — or rather, what isn’t it? – The Guardian

James Wood: Harold Bloom’s “Anxiety Of Influence”

“You mistook him for no one else: the late, popular style was a faded fan, but it was still recognizably Bloom’s old peacockery. The leaping links, hieratic cross-referencing, and amusingly camp self-involvement—the sense you got that everything made sense inside Bloom’s head, that everyone connected with everyone else within the huge Oedipal family he had made of literature—had been there from the beginning, somewhat masked by the scholarly density and relative propriety of his early work.” – The New Yorker

Nobel’s Literature Prize Debacle Exposes Fault Lines Between Art, Politics

Brett Stephens: “We live in an age that is losing the capacity to distinguish art from ideology and artists from politics. “I’m standing at my garden gate and there are 50 journalists,” Handke complained on Tuesday, “and all of them just ask me questions like you do, and from not a single person who comes to me I hear they have read any of my works or know what I have written.” He has a point. He didn’t win a Nobel Peace Prize or some other humanitarian award. His art deserves to be judged, or condemned, on its artistic merits alone.” – The New York Times