Produce Theatre? In A Pandemic? In Finland? Of Course – It’s “Essential”

“I shouldn’t have been so surprised. Art has played a major role in bringing this once poor and isolated country into the international arena, and the government subsidizes culture in a big way. That’s why artists continue to be employed — and why, even though socially distanced performances will never cover their costs, companies in Finland are putting them on, secure in the knowledge they have a financial cushion.” – The New York Times

Donald Byrd On Making A Career As A Choreographer

“I think that caused me to be really clear for myself about why I was doing what I was doing. I could not take into consideration how people would respond. That included funders and audiences. Part of the risk, then, is that maybe nobody will show up. But when I tried to make things that I thought would please people, I thought those pieces were disasters.” – Dance Magazine

Michael Riedel’s Broadway History

Reading Michael Riedel has long been mandatory for theater insiders. They may complain about his journalistic practices, his tendency to sensationalize and distort, his refusal to let a fair review of the facts get in the way of a good scoop, his speculative and often erroneous conclusions. But his copy is sinfully entertaining, full of dish and drama and delivered with the wicked wit Broadway pros can’t help but admire. – Los Angeles Times

UK Universities Want Probe Into Inflated E-Textbook Prices

Johanna Anderson said the situation had become so financially serious for university libraries that it was time for MPs and competition authorities to hold publishers to account. She cited the example of an economics book that costs £44 for a print copy but is £423 for a single e-book user and £500 for three users. An employment law book costs £50 for a hard copy, but is £1,600 for three users of the digital version. – BBC