Protests Over Plans To Kill New Zealand’s Only Classical Radio Station

The station draws about 170,000 listeners a week in New Zealand, heavily skewed towards those aged 65 and older, according to the broadcaster. But fans mobilised last week when Radio New Zealand proposed to throw out its classical arm’s FM station in May, replacing it with a youth radio channel in August. Some 18 jobs would be eliminated, with new roles created at the youth station, RNZ said. – The Guardian

Montreal Has Two Major Orchestras Led By Star Conductors. And They’re Thriving

Nowhere else in North America can you find two symphony orchestras (as opposed to chamber orchestras) with touring schedules and substantial discographies led by conductors of international repute. Both enjoy government and corporate support. And if they attract different audiences, this dynamic can be taken as complementary rather than adversarial. – Montreal Gazette

Do What You Love? There’s A Dark Side To That Idea

Nothing exemplifies the promises and perils of self-actualised work better than the cultural conversations around ‘do what you love’. The injunction to ‘do what you love’ has had no shortage of critics, who point out its classist nature, advocate for a clearer delineation between work and life, and remind us that burnout might just be the flipside of self-actualised work. Not all agree that work should be a calling or that we should devote ourselves wholly to work. – Aeon

Oregon Shakespeare Festival’s Plans To Be A National Leader

New OSF director Nataki Garrett has big plans. In the next few years, she plans to push technology-driven initiatives, like the launch of a digital archive and an OSF app. She’s also developing a residency for artists across different mediums as well as forging an alliance of West Coast theatres. As she marches toward her one-year anniversary, Garrett continues to think about OSF’s expansion and catalyzing larger shifts in the American theatre. – Playbill

Phil Kennicott’s Ruminations On The Power Of Music Amidst Grief

“When grief loosens its hold, you return to the world you once knew, only to find it transformed by the thing that is missing; when, at the end of the Goldberg Variations, Bach repeats the aria with which it began, it is utterly transfigured. It is like the river in which one can never step foot twice, and Bach seems to say: ‘You’ve never heard this thing you think you know so well’.” – Van