Increasingly, I’m hearing from politicians, activists, and people like my journalist friend who say that maybe we 1990s-era internet activists blew it. The story goes that we were so shortsighted in our focus on things like internet free speech and digital privacy that we overlooked a whole spectrum of long-term threats posed by digital technologies, the companies that sell them, and the governments that deploy them. This perspective suggests that the internet freedom my colleagues and I championed has instead chained us all by corrupting democracy and poisoning relationships. In recent years, my views have evolved. – Slate
Author: Douglas McLennan
Why Still The Idea That Theatre Is Best In New York?
” It’s time to get our heads out of our collective asses and wake up to the fact that having a New York zip code does not make you a better actor by default. Nor does wanting a better quality of life mean you’re less ambitious. The industry has changed, and it’s time to put those outdated stereotypes to rest.” – Onstage Blog
Trump Administration Is Moving National Archives Out Of Seattle. Native Americans Are Furious
“The U.S. government made us paper Indians — our ancestors are here,” Jack proclaimed last week at Sand Point. To close and remove the archives is to physically remove the ancestors (word is the contents of these warehouses would probably be transferred to facilities thousands of miles away in Missouri and in Southern California). – Crosscut
New Pew Study: Experts Believe Tech Will Weaken Democracy
Some 49% of these respondents say use of technology will mostly weaken core aspects of democracy and democratic representation in the next decade, 33% say use of technology will mostly strengthen core aspects of democracy and democratic representation and 18% say there will be no significant change in the next decade. – Pew Research
Is It Possible To Enjoy The Instagram “Museum” Without Your Phone?
Specifically, the Ice Cream “Museum,” which is all about shareable selfies. After all, what’s the point of going if not to take appealing pictures? – New York Magazine
The Forger As Artist – A Superfan’s Show Of Work By Elmyr de Hory
In the 1950s and ’60s, Elmyr de Hory is believed to have forged over a thousand works by major artists. Many have been removed from museums. Others, some experts say, have not. Mark Forgy has spent years dedicated to the memory of de Hory. He has written a book, gives talks and contributes to exhibitions on forgery. It is his calling, he says, and has all led to his newest endeavor: putting on an exhibition of de Hory’s original work. No forgeries. Just de Hory in his own voice. – The New York Times
Is This Pliny The Elder’s Skull?
Over the last few years a pool of Italian biologists, anthropologists and geochemists conducted a series of forensic tests on the skull and accompanying lower mandible, which were unearthed 120 years ago on a shore not far from Pompeii. On Jan. 23 the scientists presented their findings at a conference in the museum. The skull, they concluded, squared with what was known about Pliny at his death, but the jawbone belonged to someone else. – The New York Times
Report: Arts Drive Tourism In Australia
Australians took 12.3 million daytrips and 13.4 million overnight trips within Australia that included arts activities in 2018 – an increase of 14 percent and 20 percent respectively since 2014 – with increases found across visiting museums and art galleries, attending performing arts, visiting art or craft workshops or studios, attending festivals, and experiencing First Nations arts and craft. The report also flagged an increasing interest in First Nations arts tourism. – Limelight
Warning: Post-Brexit Border Policies Could Be “Disaster” For Creative Industries
“Although it is theoretically ‘points-based’, the reality is that it will be impossible to accrue enough points with a salary below £25,600 (without a PhD) unless the role is on the shortage occupation list; a list which excludes many highly-valued creative professions. In our sector, high skill levels do not always equate to high salaries. There must be recognition of sector-specific means of assessment including auditions, work experience and portfolios.” – The Stage
Does Banning Critics Accomplish Anything?
Yolanda Bonnell isn’t the first artist to say that white critics get away with not knowing the cultural reference points of work outside of their own interests – but doesn’t cutting reviewers from different backgrounds off limit opportunities for learning? “You’re just perpetuating prejudice if you are not going to let people experience other cultures. If she wants more critics of color to review her, fine, invite them. But you shouldn’t stop other people from coming.” – The Guardian
