Philosophers have long concerned themselves with what they call “the paradox of fiction”—why would we find imagined stories emotionally arousing at all? The answer is that most of our mind does not even realize that fiction is fiction, so we react to it almost as though it were real. – Nautilus
Author: Douglas McLennan
How Visual Images Change In The Internet Era
From our present experience of the internet, what changes might we expect? We are all André Malraux now. To create his “museum without walls,” an archive of images from around the world, begun in 1947, he had to collect and sift through thousands of photographs. Now anyone can readily compare any selection of works, setting them side-by-side. – Hyperallergic
The Global Music Business Is Extinguished. That May Be A Good thing
The global live music industry is worth some $30 billion every year. Or, rather, was. In a matter of weeks, Covid-19 shut down everything from pub gigs to festivals. And in doing so, it also made apparent the lopsided shape of the modern music industry, in which artists are paid to perform, but often barely anything for the music they record. One of the truisms of the streaming era has been that while Spotify might have gutted the income you make from records, it makes it easier for people to find your music. That grows your live audiences, which is where you make your money. Now, with live audiences at zero, that deal is looking increasingly unworkable. – Esquire
Company Creates Drones To Disinfect Theatres
In the innovative system, the disinfectant is stored on the ground, and pumped through a hose to the hovering drone, which then spreads it throughout the theater. Meanwhile, another drone drifts underneath it to make sure that the hose does not get tangled in any of the seats. – Forbes
Los Angeles Redirects Developer Fees To Arts Aid
LA City Council unanimously approved two motions that repurpose arts fees paid by developers in support of now-canceled or planned cultural events as small-dollar grants to artists, arts organizations, and live performance spaces that have been negatively affected or threatened by the pandemic. – Hyperallergic
San Francisco’s Avenue de Cello
The cello concerts have the added bonus of another San Francisco shelter-in-place trend. Page Street is one of an increasing number of roads closed to through traffic to give people space to exercise, get fresh air or, apparently, listen to cello music while keeping their social distance. – San Francisco Chronicle
Truth, Fiction And The Disconnect Of Intelligence
“The dual nature of power and truth results in the curious fact that we humans know many more truths than any other animal, but we also believe in much more nonsense. We are both the smartest and the most gullible inhabitants of planet Earth.” – The New York Times
The Meaning Of Power: An Online Meritocracy?
Today’s internet generations have been graced with equity at birth, in that they have the means to create power for themselves, even if they do not start out with it. In the digital world, the myth of power persists as a construct. To believe that you have power is to have it. – The New York Times
New Stimulus Bill Helps Non-Profits (But It’ll Never Pass)
It includes $100 billion for rental assistance, another round of $1,200 direct payments to taxpayers, and sets aside 25 percent of Paycheck Protection Program (PPP) loans for nonprofit organizations. However, the bill, known as the HEROES Act, has little chance of passing in the Republican-led senate and President Trump has promised to veto it. – Artnet
25 Theatre Makers On What Theatre Will Look Like Post-Pandemic
Charles McNulty: “While no virus can defeat this art form, the theater will have to change to meet the challenges of a transformed world. While we’re mourning the loss of playgoing among the myriad other losses exacted by this pandemic, I’ve asked artists to imagine the future. How might we rethink basic structures (economic, architectural, aesthetic) in this period of forced reprieve? How might fresh vision transform crisis into opportunity?” – Los Angeles Times
