Author: Douglas McLennan

Pandemic Is A Golden Opportunity For Australia’s Big Festivals To Reinvent

With high profiles, comparatively secure government funding and established philanthropic networks, major arts festivals are in a position to make a difference. At one point in Getting Their Acts Together, Adelaide festival’s annual bill is placed at $20m – around four times the amount of money the Australia Council has scraped together for its Covid-19 resilience fund. And after months of cancellations and pushbacks there will be no shortage of compelling shows by Australian artists and companies looking to make up for lost time – and income – in 2021. – The Guardian

An Online Education: Some Essentials Missing

I’ve heard administrators insist that online instruction is just a “change in delivery system,” not a diminution of content. But this bureaucratic bromide wilfully ignores the wisdom of Marshall McLuhan, whose work I often teach. The medium is always the message. You can reduce a seminar to a distortion-addled screen, sure, but that will never substitute for being there. – The Globe and Mail (Canada)

West End Producer: Without Help, Our Theatres Will Be Obliterated

“Without an urgent government rescue package, 70% of our performing arts companies will be out of business before the end of this year,” she wrote. “More than 1,000 theatres around the country will be insolvent and might shut down for good.” The producer said the loss would be “irrecoverable” and said that without intervention the country would watch as over the next six months “our arts and cultural organisations will have to spend their reserves until there is nothing left”. – The Guardian

Alex Ross: Connecting With Music Through Tinny Video

“As a critic, I am desperate to maintain contact with what musicians are doing, thinking, and feeling. The sound is often tinny, the stage patter awkward, the home décor distracting. One could instead sample archived professional-quality videos that opera houses, orchestras, and other organizations have placed online. For me, though, the live or freshly recorded happenings matter more. They document, with the oblique power that the arts possess, an extraordinary human phase in history. Their mere existence is bracing, and at times they achieve startling power.” – The New Yorker

Canadian Government’s Efforts To Help Artists Shows Problems In Defining Artists’ Income

In mitigating the impact of the COVID19 crisis, the federal government swiftly responded with economy-wide measures as part of its immediate relief. It is in this roll out of the Canada Emergency Response Benefit (CERB) and the Canadian Emergency Wage Subsidy (CEWS) that officials discovered the many gaps in addressing the labour force in the arts—the artist. More than the employment of the labour, it was what constituted their income that became the challenge and eluded the fit for an artist. – Georgia Strait

Are We Losing Our Abilities To Read Deeply?

Beyond self-inflicted attention deficits, people who cannot deep read — or who do not use and hence lose the deep-reading skills they learned — typically suffer from an attenuated capability to comprehend and use abstract reasoning. In other words, if you can’t, or don’t, slow down sufficiently to focus quality attention — what Wolf calls “cognitive patience” — on a complex problem, you cannot effectively think about it. – National Affairs