As statues fall around the world in symbolic revolt against the histories of slavery and colonialism, city and town leaders, museum officials and historians faced with these toppled monuments are asking, Now what? Should they be cleaned up and moved into the safety of a museum? Should their scars be kept or cleaned off? Or should we make new artworks out of them? – The New York Times
Author: Douglas McLennan
A Conservative Reckoning In Book Publishing?
Publishing such authors was once uncontroversial. The conservative publishing industrial complex has been a mainstay ever since Allen Bloom’s The Closing of the American Mind topped the bestseller lists. Free speech has always been a slippery concept in book publishing. At times it is presented as a badge of honor—we stand by Salman Rushdie!—but mostly, it is an excuse to publish something that is profitable but otherwise valueless. Beleaguered publishers have understandably cast themselves as slaves to the marketplace: They publish whatever it is people want to buy. – The New Republic
Rebuilding An Indigenous Dance Culture Post-Soviet
This is part of the traditional dance of the Mari, the region’s indigenous nation. Its sudden intrusion into an otherwise classical production is no coincidence. It is part of an experiment that seeks to tackle the some of the most crucial challenges facing the post-Soviet provincial stage: how to use Soviet traditions to create art for a new Russia, while still standing on par with global artistic developments. – Calvert Journal
The Socially-Distanced Orchestra – What’s The Repertoire?
Schott/EAM, a publisher of contemporary composers, recently posted an inspiring list of works from its catalog appropriate for social distancing. Universal Edition put out an intriguing selection of opera and symphonic reductions. In a livestreamed panel discussion on Thursday, several innovative chamber orchestras will share repertory ideas. – The New York Times
Drillosophy: Using Drill Music To Teach Philosophy, And A Million Young People Sign On
“Young people who break the rules, who don’t want to conform, are natural social scientists. They’re natural philosophers, questioning what’s around them. You might not be channelling that in the right way right now – but I bet you’ve got the type of mind that we can talk to.” – BBC
Dance Critic Sally Banes, 70
Banes was the first dance critic to write about the exciting new urban form known as break dancing. Her article “To the Beat Y’All: Breaking is Hard to Do,” in the Village Voice in April 1981, introduced break dancing to readers before there was even a name for hip-hop culture. Fascinated by what she saw, she returned to this genre again and again. – Wendy Perron
Boarded Up Museums Send The Wrong Message
Why did most of New York’s largest museums botch this chance to connect to a younger audience—one that has grown distrustful of their boards, labor practices, executive salaries, and even the art on their walls? Were they too impaired by the prolonged shutdown and associated financial hardship? Or could the lobbies themselves not offer adequate support in these extraordinary times? – Artnet
A New Indie Online Bookstore Has Soared During Lockdown. Can It Continue?
Some wonder whether Bookshop will remain a viable player in the online retail ecosystem as stores begin to reopen, and customers who turned to the site during the shutdown revert to in-store and curbside shopping. Meanwhile, Amazon, which accounts for some 70 percent of online book sales, has strengthened its position as the world’s largest online retailer. The company reported $75.5 billion in sales during its most recent fiscal quarter, a 26 percent increase from the year-ago quarter. – The New York Times
Two Major Canadian Alt-Weeklies Say They’ll Reduce Arts Coverage
While both publications have a long history of reporting on local arts events happening in Toronto and Vancouver, Media Central is looking to shift editorial focus towards newer, more lucrative growth areas which are closely aligned with marketing and sales. – Ludwig Van
How Nostalgia Gets Us Launched Into The Future
Long derided as a crutch, something we fall back on when the appeal of the present dims, nostalgia is a surprisingly sturdy launch point into the future. Not only does it ground us mentally and physically when the landscape shifts or founders, it focuses us, with sensory immediacy, on what we most value – and, by extension, on what we want to reflect to the world. That’s where its transformative power lies. – Aeon