40 Years Ago The Walkman Changed How We Listen To Music

Up to this point, music was primarily a shared experience: families huddling around furniture-sized Philcos; teens blasting tunes from automobiles or sock-hopping to transistor radios; the bar-room juke; break-dancers popping and locking to the sonic backdrop of a boom box. After the Walkman, music could be silence to all but the listener, cocooned within a personal soundscape, which spooled on analog cassette tape. The effect was shocking even to its creators. – The New Yorker

What I Learned Zooming Opera

This is what I saw with the livestreams: our traditional modes of live performance are not a good fit for the new world we find ourselves in. Rather, as we continue to create live performance in the months ahead, we must seek new modes of performance that actively engage with the technologies we’re using. – Howlround

How Will The Art Market Realign? It Is

With wealthy collectors no longer travelling, most art business is now conducted online. Art dealers are typically reporting a 70% drop in sales, according to a recent survey conducted by The Art Newspaper and Pownall. Up to a third of galleries are expected to fold, with smaller ones particularly vulnerable. The shift to online auctions has seen an equally dramatic slump in secondary market revenues at Sotheby’s, Christie’s and Phillips. – The Art Newspaper

So Your Country Needs To Deal With A Difficult History. Here’s How Germany Did It

“What I think we can learn from that example is that anti-racism, or facing up to your past, is not a vaccine. It’s not a one-shot option. It’s a process that you need to continue to go through, and it will change generationally. People will see history differently. Generations will have different needs. I also want to emphasize that it’s not just revision of textbooks. I really think popular culture is at least as important as what gets taught in schools, perhaps more so.” – The New Yorker

Time To Make The Theatre Reforms We’ve Needed For A Long Time

Anna Fleischle, an award-winning designer, has defined “a moment of reset in our industry.” Rachel O’Riordan, artistic director of the Lyric Hammersmith, says she is looking at the public square outside the theatre on King Street. West End producers know that the days of the premium ticket and rip-off booking charges are over. And one can only say to all three parties: what took you so long? – Prospect Magazine

Toronto Symphony Cancels 2020/21 Season

But the orchestra says it will look for ways to perform in smaller ensembles. TSO musicians will also continue to perform virtual concerts. Since the start of the pandemic, musicians and guest artists have appeared in more than 100 virtual concerts and events, which have been viewed more than two million times, according to the TSO statement. – CBC