Theatre’s Next Big Thing Problem

“At its best, artist development is terrific, providing opportunities and genuine benefits for early-career artists; at it’s worst, it can be like butterfly collecting, and just as cruel. That’s because too many artist-development schemes are not designed to support ambition and scale and so they don’t help artists develop sustainable careers in the industry.”

Do We Want Bots Determining Ownership Of Art?

“It seems outrageous to demand a photographer be asked to pay for the use of her own work, particularly when she has gifted that work to the public. It seems like another example of corporate bullying. But the suit will undoubtedly be complicated, as everything to do with posting images on the Web is. If, for example, an image is free, does it mean anyone else is free to charge for cataloguing it and giving access to it? If you put your old dresser on the curb and I pick it up, can’t I sell it myself?”

The Happiness Industry – Narcissism For The Masses?

“You can’t really be happy if you are a victim of injustice or exploitation, which is what the technologists of joy tend to overlook. This is why, when Aristotle speaks of a science of well-being, he gives it the name of politics. The point is of little interest to the neuroscientists, advertising gurus or mindfulness mongers, which is why so much of their work is spectacularly beside the point.”

Now We Have Books That Are “Born Translated”

Many literary works today do not appear in translation, but are written for translation from the beginning. They are “born translated.” Adapted from “born digital,” the term used to designate artworks produced by and for the computer, “born-translated literature approaches translation as medium and origin rather than as afterthought. Translation is not secondary or incidental to these works. It is a condition of their production.”

James Houghton, 57, Founder Of Signature Theatre And Director Of Juilliard Drama Program

“I don’t think there was anyone in the theater community more beloved than Jim,” the playwright Tony Kushner, whose work was featured in Signature’s 2010-11 season, wrote in an email. “He had a great soul and a grand capacity for friendship and love. He was smart and passionate. He built his singular legacy, founded on his devotion to playwrights’ work and to playwrights themselves, with a uniquely sweet, generous spirit; with unflagging optimism; and with grace.”