Latest Private Museum Suggests Growing Clout Of Collectors

That this low-profile Dutch businessman could pull together such a significant representation of Kelly’s work — with loans from the Museum of Modern Art and the Whitney Museum in New York, Tate London, the Pompidou Center in Paris and the artist’s own studio — for his private museum in a far-flung corner of the Netherlands indicates the kind of leverage that Mr. van Caldenborgh, 75, and other major collectors, now have in the art world.

Helsinki Guggenheim Project In Doubt After Government Blocks Public Funding

“The decision is the latest blow to the Guggenheim Helsinki project, whose initial plans met with widespread public opposition when they were unveiled in 2011 and were formally turned down by the city board the following year. After an international competition last year drew more than 1,700 entrants, the scheme seemed to be back on track.”

Meet America’s New Chief Librarian

Carla Hayden is about to take over as the Librarian of Congress. She’s “aware of but undaunted by the library’s challenges, including outdated technology, a storage crisis for its rapidly growing collections and a demoralized staff. A 2015 government report found widespread mismanagement of its IT systems, which wasted millions of dollars and hampered operations at the Copyright Office and elsewhere.”

Why Virtual Reality Has Huge Potential For Music

“Outside of games, music is almost certainly the most popular content type in VR right now, which makes sense both technically—right now, VR’s best for quick viewing periods, about the length of your average song—and creatively. Both formats trade in experiences, connection, and immersion. You don’t go to a concert for the sound quality; you go to be part of something.”

Some Art Dealers Who Are Experimenting With Models Other Than The Gallery Norm

“Metaphors aside, it is clear how the current art fair-driven system has created a fixed pattern, with little room for negotiation: Small galleries from the periphery can participate at small fairs, and hopefully sell to collectors they would never meet otherwise. Meanwhile, big galleries, such as Gagosian, Hauser & Wirth, Marian Goodman, and David Zwirner but also Thaddaeus Ropac, Almine Rech, Perrotin, and Massimo De Carlo, become bigger and bigger—from ship to galleon, from galleon to fleet—opening new branches all over the world. But what about the middle sized galleries?”