How Do You Get Audience Data That Matters? (Some Suggestions From Someone Who’s Been Doing It)

“The difference in data collection priorities is not simply a qualitative versus quantitative debate, as one of the shared areas of interest for organisers and funders is whether the event has reached individuals who do not normally engage with culture. But even here, opinions differ on how much information is needed from visitors, sample size and how it should be collected (the data collection mechanisms used).”

The Dearly Departed, Digitally Remastered So You Can Be With Them Forever

It’s possible. We capture enough of our loved ones digitally that recreating a version of them is within reach. “A digital bereavement company has captured and analysed torrents of data about your husband to create a digital likeness. His voice, his gait, his idiosyncrasies and mannerisms, the undulations of his laugh – all are replicated with near-perfect similitude. Spending time with your digitally reborn spouse has become a part of your daily routine.”

Classics Are Being Re-Translated. But Are These New Translations Really Serving The Originals?

“In Italy, with the lapse of copyright on Faulkner’s writing, there have been a number of new Faulkner translations that are doubtless more semantically accurate than those made back in the Forties and Fifties. And yet those old translations—made when a modernist work was still a matter of excitement, rather than an aesthetic museum piece—seem more aware of the energy and spirit of the original and certainly a better read than more recent, academic efforts.”

What Would Happen If You Made Millions Of £ Available To Arts Groups For Entrepreneurial Projects?

Nearly 100 organisations have applied to the £7m Arts Impact Fund to invest in commercial ventures such as cinemas, restaurants and Intellectual Property licensing businesses to subsidise their work. Thus far, more than £3m of unsecured loan finance at affordable interest rates has been shared by eight organisations that are planning to use a cross subsidy model to finance their activities.

Media Exec Comes Up With Provocative Proposal To Fund Canadian Content (In Canada)

“His plan would fold Telefilm Canada (which invests in film) and the Canadian Media Fund (which supports TV and some digital) into a single new agency that would rely solely on tax credits to encourage the production of any Canadian content. If a Canadian online service wanted to produce a series, it wouldn’t need a broadcasting partner to trigger funding; if a newspaper wanted tax credits for the Canadian articles it published, it would be eligible.”