In a book called Weird Wisconsin: Your Travel Guide to Wisconsin’s Local Legends, Burrows’s name was listed under a chapter called “The Worst Novel Ever Published in the English Language.” Maddeningly, the Google Books preview would not reveal the offending passage, but soon I located a Washington Post article that explained the whole entanglement. – The New Republic
Author: Douglas McLennan
Tourist Fesses Up To Breaking Toes Off Canova Sculpture
The tourist, on a trip to celebrate his 50th birthday, was visiting an art museum in northern Italy last week when he posed with the statue of a reclining Pauline Bonaparte. Her husband had commissioned the seminude sculpture by the Italian artist Antonio Canova in the early 19th century. It is known as Pauline Bonaparte as Venus Victrix. What happened next might be attributable to the reckless exuberance that big birthdays often bring. – The New York Times
Frank Gehry’s New Eisenhower Memorial In DC – Last Of The “Great Men” Memorials?
Over the past decade, and at almost every step — from the design competition to the groundbreaking in 2017 — the project was dogged by controversy, subject to congressional hearings and, at one point, effectively defunded by the government. – Washington Post
Of Experts And The Willingness To Be Wrong
When experts and pundits can’t or won’t say ‘I don’t know’, the consequences can be dire. In the short term, bad advice leads to bad decisions. In the context of admitting uncertainty about challenging questions, there are two ways this can happen. These are particularly clear and salient in the context of the COVID-19 pandemic. – Aeon
Kristy Edmunds: Why We Need Artists To Help Fix Things
“With the calamities facing the world, rebuilding what has been is no longer our most pressing goal — reimagining the future moving forward is. The ever-changing present requires the arts to accelerate our well-practiced ethos of compassionate vision, intellectual honesty and moral ingenuity. These are urgently required for shaping the road ahead.” – KCET
When Fans Of A Show Become Its Owners
Fans come to see themselves not just as the audience for, or patrons of, a given “intellectual property” but (to paraphrase the old WestJet slogan) as owners too. This feeling of ownership is often vindicated by the franchises themselves, which deliberately pander to the hopes and expectations of their core audiences. – The Walrus
An Opportunity To Diversify Your Theatre
“The reluctance to produce shows with casts that are all or largely non-white disproportionately affects shows written by Black, Indigenous, people of color (BIPOC) playwrights and composers. And the problem ripples outward beyond writers and actors. Predominantly white institutions (PWIs) all too often seemingly forget about directors, designers, stage managers, and dramaturgs of color entirely.” – Howlround
The World’s Nightlife On Hold. (And Yet…)
The problem is that urban nightlife — no matter how risky — isn’t something that just allows itself to be canceled. The need to socialize, relax, mingle, hear music and dance is a powerful force, especially among young people in cities. If regulated venues are shuttered, unregulated ones take their place. “In cities where there are no legal alternatives,” the VibeLab report concludes, “dangerous illegal alternatives are found.” – Bloomberg
What A Profound Design Revolution Curb Cuts Were
“The need for accessible streets and sidewalks has utterly reshaped the contemporary cityscape, and the most profound change is also the most modest: the curb cuts that you’ll find now at many street corners in cities all over the world. The revolution in street corners seems like an obvious civic good now, a common‐sense softening at the edges of the built environment, a simple solution to buffer the concrete shape of a world built with homogenous users in mind. But it would not have happened without disability activists’ long, hard fight.” – Bloomberg
How Instagram Is Changing The Job Of A Critic
Being unable to see real works of art in person for months has made me realize just how much I have come to depend on seeing works online—and how I get more from that experience than I’d been willing to admit. I have not felt much desire to delve into the online offerings of galleries and museums, but nonetheless I have been seeing lots of art onscreen—it’s just that I’ve been getting it straight from the artists, mainly via their Instagram accounts. I’ve liked that. – The Nation