The Over-The-Top Met Ball – Celebrating Civilization’s End Times

“This year’s Met Ball—held Monday night and inspired by a Costume Institute exhibition, Art of the In-Between, showcasing the career of avant-garde Japanese designer Rei Kawakubo of Comme des Garçons—was something remarkable in the Annals of the Absurd, an explosion of frippery and shamelessness that recalled late-Weimar or mid-career Mad Hatter in its slavish devotion to peacockery in the face of complex, oftentimes brutal, reality.”

Dallas School District Cuts Librarians

“School officials say it’s the result of drastic budget cuts as the district scrapes around to make up for a $60 million shortfall next year. The changes will save $2 million. No librarians will be laid off. Instead, they will be shuffled to fill vacant positions at other schools, leaving 11 campuses without librarians for the 2017-18 school year.”

Why Collectors Collect First-Edition Books

Collecting modern first editions or antiquarian books is a fun pursuit. It can be exciting and compulsive and, contrary to some critics, it is not a dreary bookish endeavour, followed only by the status-conscious rich. Anyone can collect first editions and, taking taste and pocket into account, the collector’s choice is limitless.

Online Sales Have Broken The Concert Ticket Business

“In the first 24 hours after tickets go on sale, an estimated 20 percent appear on secondary sites. This is often where tickets end up when scalpers and brokers use methods like creating bots to bypass captcha technology and scoop up a large number of tickets, or by creating numerous identities and buying tickets on prepaid credit cards that can be loaded up with cash at a local CVS or Rite Aid to take advantage of paperless ticketing. They make a profit by engaging in price gouging, selling the ticket for much higher than face value, and gaining an upper hand on the real fans.”

Gender Parity In Ballet? We’re A LONG Way Off

Throughout the last 50 years, the ballet world has frequently been seen as completely out of touch with the importance of diversity. The litany of men — geniuses, admittedly, in their own right — says nothing about the creative, choreographic power of women. This lack of equality not only reads as troubling but a bit safe. Why is it so difficult to see women taking the stage not just as fouetteing prima ballerinas, but as dance-makers as well?