“The self-esteem craze changed how countless organizations were run, how an entire generation — millenials — was educated, and how that generation went on to perceive itself (quite favorably). As it turned out, the central claim underlying the trend, that there’s a causal relationship between self-esteem and various positive outcomes, was almost certainly inaccurate.”
Author: Douglas McLennan
What To Make Of This Year’s Cannes Festival, Which Seemed Unfocused And Unsure?
“As the spotlight fades, I’m seeing and hearing more and more agreement that it’s been a down year for the festival, in more ways than one. This is reassuring, but not very helpful: More than usual, I’m left wondering what to take away from all of it. What can I confidently tell people to look forward to? Is there a single new awards concern to be had? Which Cannes film can I recommend to my mom?”
Foundation Aims To Remake, Save Maine’s Poorest Town With Art
The Libra Foundation has since October spent $750,000 buying a dozen houses, a community center and a general store along Monson’s main drag — as well as a farm on North Guilford Road, said Erik K. Hayward, Libra’s senior vice president. The plan is to convert the houses into artist residences and the center into studio space. The store would sell art and produce from farms in Piscataquis County, which the U.S. Census Bureau rated as Maine’s poorest in 2015.
Increasingly, Computers Are Providing The Soundtracks For Video
Jukedeck is a program that enables users to choose the length of a piece of music, its style, the instruments featured and even climactic moments to heighten emotion. “Given what we know about how music’s put together, why can’t computers write music yet?”
Tyler Cowan: Cancer Of The Complacent Class
“Americans are more static: the proportion moving across state lines is half what it was in the 1950s and 1960s. They are more less entrepreneurial: the share of under-30s who own a business has fallen by 65 per cent since the 1980s. And they are less innovative: the country creates 25 per cent fewer high-class patents per worker than it did in 1999.”
Renzo Piano Talks About Architecture Expressing A City
If you’re an architect in the right place and time, you don’t change the world but you do get to build something that reflects the changes that are happening.
Why The Arts Need Think Tanks
“Given the disparity between what the public says about arts and culture and their actions, given the repeated and regular attacks on the Arts, given both the suggested and proven value of the arts on multiple levels and given the extent to which the arts and creativity are a major facet of the American job market and economy, one would think the many disciplines under the banner of Arts and Culture would be a prime area for the formation of a Think Tank dedicated to the study and consideration of the field.”
When Dreams Guide Civilizations (And Nations)
“Many societies throughout human history have taken dreams as important, worldly documents. The history of human dreaming shows time and again how dreamers have come to a new understanding about themselves and their world through the processing of their nighttime minds. Dreams have proven to be mental activities through which humans have come to a novel idea, a much-needed methodology, and a revolutionary way of perception.”
The Essential Art Of Improvisation (In Life As Well As Music)
“Anyone who has played improvisational music with others is familiar with the virtuoso who has great skill and expertise but bad social sensitivity. In performance, he tears into melodic acrobatics, but never listens enough to know when to stop, or hand it over to another player, or modify and adapt to the aural environment. His narcissism undoes his own musicality. And it can go the other way too, since the overly shy improviser never gets courage enough to assert his musical ideas. A psychological balance of humility and hubris facilitate good improvisation, not just in music but in art, science and business.”
Can You Ever Really “Know” Classical Music? (The Virtues Of Ignorance)
“Many people, myself included, have criticised classical concert programming for an over-reliance of a limited pool of familiar music. But would we want a concert series like the ‘antilibrary’, a constant stream of new discoveries and world premieres? You could argue that a narrow repertoire is a sensible response to an overwhelming avalanche of potential scores – that at least it allows audiences to develop a deep relationship with a certain set of pieces.”
