So Sponsors Are Afraid Of Controversy – That Makes Them Unreliable Arts Funders

Delta and Bank of America pulled out of sponsorship of the Public Theatre over the Julius Caesar production. “Twitter erupted in scorn: Had none of these people read the play in eighth grade? Did the killing come as a surprise? Did they not realize that it’s supposed to be tragic, not celebratory? Didn’t they remember that in a different production, in 2012, the Romans murdered an Obama-like Caesar, and nobody flipped out? And where does an immense bank or a widely unbeloved airline get off expressing moral qualms about a play?”

The Streaming Revolution Has Won – Meet The New Culture Model

Streaming is now the dominant platform for music consumption, and it’s growing rapidly–up 76% year-over-year, according to Nielsen. YouTube has birthed a whole new breed of celebrity: the YouTube star. And Netflix plans to spend hundreds of millions annually on original content. “It’s not just about music–it’s about every form of entertainment,” Nielsen’s David Bakula says. “You don’t really have to own anything anymore, because for $10 a month you can do this: You can have everything.”

Painful Ironies In The Controversy Over The Public Theatre’s Julius Caesar Flap

“The way conservative outlets packaged this story was brilliant. They removed Shakespeare from the top of the story and immediately made the report a referendum on amoral coastal elites. In the same way you can disparage “New York values” to indicate that you dislike homosexuals, or disparage “New York intellectuals” to indicate the same for Jews, you can call Julius Caesar a “New York play,” and your disciples will know exactly what you mean: an artsy-fartsy subversion perpetrated by a bunch of degenerate pansies. Should anyone be mad at Delta or Bank of America? Yes, but mainly for stupidity.”

This Year’s Documenta In Greece: Little More Than “Crisis Tourism”?

After a controversial 2010 bailout package brought relations between Germany and Greece to a new low, organizers had said they hoped the festival would help mend relations between the two countries. However, the undertaking has largely failed to appeal to locals, and in the process has even alienated some. According to Yanis Varoufakis, the enigmatic former Greek finance minister who stepped down after pressure from European leaders forced Greece to accept harsh austerity measures in exchange for an international bailout package in 2015, Documenta’s arrival was nothing more than “crisis tourism.”

The Arts-And… Movement

“In part, this policy of promoting relationships with other fields and interest areas stems from our strategy that our alliances with other sectors is a way for us to advance our interests and our agendas, and demonstrate our value over and apart from the intrinsic value of the arts. And while those who decry that too much emphasis is placed on the value of the arts as a handmaiden to other values, and perhaps not enough emphasis on what the arts do for individuals, communities and society by just being the arts, the advance of the promotion and involvement of the arts where they intersect with other areas, and where they spur partnerships, is a genie not likely easily put back in the jar.”

How You Stage “On The Waterfront” In Prison

They rehearsed as a group twice a week, and stole a few minutes here and there to run lines wherever they could—in the yard, in the law library, on the cellblock. Lawrence Bartley describes a process that sounds a lot like method acting when he talks about preparing for the role of Charley Malloy, played by Rod Steiger in the original 1954 film. “I try to take on the persona of the character, try to act like he would,” Bartley says. “Unless it would be offensive.” (This is prison, after all.)