Hilton Kramer doesn’t like much about the new Dia:Beacon building (or the art inside). “Most of the art in the Dia:Beacon collection requires huge amounts of space. Yet notwithstanding the gargantuan quantities of art that Dia:Beacon easily accommodates, so vast are its exhibition spaces that the place itself strikes the visitor as sterile and forlorn. Visitors wander about its endless interior with vacant stares and silent lips—not so much looking at the art as looking for it, even when they are in its immediate physical presence. Sooner or later, they are found huddling together for succor around the abundant wall texts, which, although easily read, tend to be even more confounding than the objects and spaces they are meant to illuminate.”