Peggy McGlone and Sebastian Smee report on how director Christopher Bedford’s plan to raise $65 million to fund diversity-equity-and-inclusion projects by selling paintings by Andy Warhol, Brice Marden and Clyfford Still was conceived, approved, attacked, and withdrawn. “There’s one thing the Baltimore episode made clear: Even the most noble of causes, including paying the mostly minority guards a living wage and improving access for the community, can’t be funded by monetizing the collection.” – The Washington Post