Philip Kennicott: “Freed from the obligation of keeping up with a regular calendar of exhibition openings, or a concert schedule or a weekly march of theatrical premieres, critics have written more about the personal experience of art rather than the specific content of art in particular. … This more reflective, more personal [approach] may widen the audience for arts writing. Because critics deal with art on a daily basis, they sometimes fail to communicate something more fundamental: the daily, lived experience of having art in one’s life, the ‘why it matters’ that keeps you coming back, again and again, year after year.” – The Washington Post