Mr. Crouch was an actor, playwright, jazz drummer and college professor — without benefit of a college degree — before he emerged in the late 1970s as one of the country’s most original, contentious and (sometimes literally) combative writers. He was a bare-knuckled literary provocateur — erudite and fearless (some would say reckless) — while reveling in his often truculent takedowns, often of works by other African American artists and intellectuals. – Washington Post
Month: September 2020
15,000 Audience Complaints To BBC Over Dance Broadcast Demonstrates Racial Problems
The incomprehensibly high number of complaints, though astonishing, speaks to Britain’s problematic conceptualisation of race and its relationship to racism. It shows a general intolerance to confront it. This, in part, is based on the denial of racism and a mythical idea of Britain as post-racial, where racism and racial inequality no longer exist. – The Conversation
How Academics Infected Literary Journalism
The laudable aim of encouraging brainy specialists to share their knowledge with the world at large has turned into a complete disaster. Why is the presence of an academic on a book prize judging panel, fronting a BBC Four arts documentary or even reviewing for a national newspaper generally such an embarrassment? – The Critic
Young Japanese Musicians Rally To Save The Art Of The Shamisen
The centuries-old three-stringed lute, a mainstay of traditional Japanese art music, remained popular up at least to the turn of the millennium, but most of the remaining players today are well over 60. With the pandemic paralyzing an already shrinking market, the country’s largest shamisen maker was about to close when it was rescued (for now) by an online fundraising campaign. There’s some hope that a newer style called tsugaru shamisen, livelier and less austere than the genteel music of Kyoto geishas, can keep interest in the instrument alive. – The Observer (UK)
We’re Back: Pianist Denny Zeitlin’s New Trio Album for Sunnyside
Pianist Denny Zeitlin’s stunning new trio album for the Sunnyside label is one that we have been hoping for weeks to call to your attention: It’s a highlight among recent releases in all jazz genres. – Doug Ramsey
What The Arts Can Learn From The NBA’s Bubble
The NBA used theatricality to replicate the essence of a live game — fans cheering, sound effects, music — and gave viewers the opportunity to be visible to both the players and to themselves in the live performance space. As performing arts venues make decisions about the future, creating hybrid events that include virtual presence and audience recognition will be important for developing investment in their work. – The Conversation
Randall Kenan, Magical Realist Writer Of The American South. Dead At 57
“[He was] an award-winning gay Black writer whose fiction, set largely in a North Carolina hamlet similar to the one where he grew up, artfully blended myth, magic, mysticism and realism.” That village, a sort of Macondo, N.C., was called Tims Creek and, in Kenan’s fictional world, had been founded by a runaway slave named Pharaoh. – The New York Times
UK Gallery Employees Call Out Bad Behavior In Instagram Account
The page has published dozens of accounts of alleged abuses of power in the art trade since it was started in July, amid similar calls by accounts such as @changethemuseum and @abetterguggenheim, which accuse institutions of discriminatory practices. – The Art Newspaper
How I Directed A Play From 6,000 Miles Away
Lindsay Posner writes about how, stuck in London thanks to pandemic travel restrictions, he fulfilled his contract to direct Twelve Angry Men in Tokyo, thanks to Zoom and an ace translator and assistant director. – The Guardian
Art Paris Fair Opens Live With Surprisingly Robust Crowds
The fair went ahead on September 10 through 13, offering a model of what a socially distanced art fair could look like, with controlled crowd flow and attendees capped at 3,000 at a time in the main thoroughfare under the cavernous glass roof. Nonetheless, it welcomed some 56,931 visitors, just 10 percent fewer than last year. – Artnet
