‘Deeply Disappointing’: Arts Officials Say Culture Is Being Cut In EU’s €750 Billion COVID Recovery Plan

“The European Commission announced an ambitious seven-year budget yesterday to bail out the EU’s 27 member states from the economic impact of COVID-19, but culture representatives say it fails to provide enough protection for their industry, which is one of the economic sectors that has been hardest hit by the pandemic.” In particular, the representatives say, “cuts to three programs — Erasmus+, Creative Europe, and European Solidarity Corps — send a ‘terrible message’ to the cultural, creative, and media sectors.” – Artnet

Cruise Ships Have Gone Away. And Port Cities Are Reconsidering…

In ports of call known for their cruise appeal, the disappearance of boat-borne tourism has been greeted with mixed feelings. Many towns and cities depend in part on revenue from these vacationers. But the boats bring problems, too: Critics often cite the industry’s environmental record and dubious economic impactstudy after study show that passengers on short stopovers contribute relatively little to the local economy. – CityLab

Italian Book Buying Habits Have Changed. Will They Change Back?

In a shift of consumer patterns, in the first 16 weeks of the year, 47 percent of Italy’s trade book sales, both in fiction and nonfiction, took place online. In the same period of 2019, only 26.7 percent of those sales were made online. Like France, Italy is a market that buys its books in normal times primarily through physical stores, and some observers wonder if the move to online commerce during the pandemic will permanently change consumer behavior. – Publishing Perspectives

The Thought Experiment Problem

While thought experiments are as old as philosophy itself, the weight placed on them in recent philosophy is distinctive. Even when scenarios are highly unrealistic, judgments about them are thought to have wide-ranging implications for what should be done in the real world. – Aeon

How To Fence That Van Gogh You Stole

Arthur Brand estimates that a work of art in the criminal underworld is worth about 10 percent of its value in the legitimate art market — so if a painting might sell for $10 million at auction, it can be traded among criminals for a value of about $1 million. Octave Durham said the value is even lower than that — about 2.5 to 5 percent of market value. – The New York Times

Instagram May Have Influencers, But TikTok Has Cult Leaders

“Much like the ‘stans’ of pop figures and franchises, members of TikTok cults stream songs, buy merch, create news update accounts and fervently defend their leaders in the comment sections of posts. The biggest difference is that TikTok’s cult leaders are not independently famous. They’re upstart creators building a fan base on social media.” And the biggest cult of them all is the Step Chickens, who are devoted to their “mother hen,” techie-turned-comedian Melissa Ong, who started the cult less than three weeks ago. – The New York Times

How The Blanton Museum Repurposed Its Staff And Avoided Layoffs

The maintenance man stopped worrying about paint touchups and HVAC repair and started assisting the development department by drafting thank you notes for donors, making use of his beautiful handwriting. Security guards were redeployed to add “alt text,” or descriptions for the visually impaired, to images on the museum website. Art handlers and event planners have been doing collection research about the museum’s lesser-known artists. – Artnet