Cahiers du Cinéma, which launched the French New Wave and gave the world the concept of the auteur, was purchased last month by a consortium that includes some of France’s top movie producers. The new owners, hoping to make the studious, and studiously independent, Cahiers more “chic” and “central,” want to invite directors to write for it and to launch a partnership with the Cannes Festival. The entire editorial staff has resigned. – The New Yorker