The Stage senior reporter Georgia Snow talks to women working as directors, designers, and administrators in opera in the UK — who tell her that things are getting better, but not fast enough. (Opera companies are, after all, large, expensive, slow-moving machines.) Says English National Opera’s new artistic director, Annelese Miskimmon, “Unless we reflect our audience we can’t serve them. According to every statistic I have seen, it’s women who buy opera tickets. So it doesn’t matter what people’s own feelings are – it’s sensible economics.” – The Stage