A case study comes via Portland Center Stage in Oregon, where the theatre had a funded chance to experiment to see what works … and what doesn’t. Turns out, exterior bus advertising and billboards really work: “All those surveyed mentioned that if they can’t avoid advertising, they tend to pay attention.” – American Theatre
Month: September 2019
Rio De Janeiro’s Mayor Tries To Censor A Marvel Book With A Gay Kiss, But The Court Blocks Him
Predictable results of the homophobic censorship attempt (which was headed off by the judge as an issue of freedom of expression): “Copies of the comic book, Avengers: The Children’s Crusade, quickly sold out after the mayor’s intervention. The illustration that upset that mayor was also printed on the front page of Brazilian newspaper Folha de São Paulo.” – BBC
The Dances That Shook The World
What freaked out Elizabethan England? A dance from (gasp!) Italy, of course, where “a man clasped his female partner tightly around the waist with his left hand, took hold of the busk (the rigid point on the corset below her bosom) with his right, and lifted her high into the air so that his thigh was under her bottom.” Scandalizing! – BBC History Magazine
Young Adults Spend Six Hours A Day On Their Phones. <1 Percent Ever Use News Apps. Why?
According to researchers, young adults, and particularly those raised as “digital natives” as part of Generation Z (ages 18 to 24), have high expectations for a “flawless, seamless, personalized online experience” that news organizations are not often able to provide. – Washington Post
The FTC Just Fined YouTube $170 Million. Does It Even Matter?
“Time and again, the money extracted from the tech giants amounts to a pittance. The structural remedies that accompany those fines—the part where companies agree to change the offending parts of their behavior—can arguably have greater effect. But blaming the FTC for inadequately bringing Silicon Valley to heel on its own is like blaming a fork for not holding soup. Could it do more? Should it? Just don’t expect real privacy change without strong privacy laws in place.” – Wired
Emily Nussbaum’s Case For Taking TV Seriously
Many people today take television seriously. Instead, Nussbaum’s contribution has been to argue for what precisely about television merits our serious attention. – Los Angeles Review of Books
Banff International Competition Makes a Dynamic Case For String Quartets
As a launching pad, a young quartet could hardly ask for more. And in the case of the Marmen Quartet, the prize followed on the heels of a first-prize victory in another of the world’s leading chamber music showcases — France’s Bordeaux International String Quartet Competition. – Toronto Star
Do Book Prizes Matter? Researchers Crunched The Numbers
In short, prizes matter. But more surprising is the effect of a nomination alone. With only an appearance on the Booker shortlist, a book moves from total obscurity in the classroom and the pages of literary criticism to respectable showings in both—and it gets a healthy popularity boost along the way. Of course, a win gooses the stats across the board, but the difference between utter obscurity and modest fame is arguably greater than the difference between modest and runaway success. – Public Books
Malcolm Gladwell’s Impending Tipping Point
Nearly 20 years and millions of sales after his nonfiction debut, Mr. Gladwell is at something of a professional tipping point. He elicits from readers the kind of polarized reactions usually reserved for talk-radio hosts. To one camp, he is a master storyteller, pithily translating business concepts and behavioral science to a lay audience. To others, he is a faux intellectual, dressing up ordinary truths (such as an “Outliers” argument that success results from a combination of hard work and opportunity) as counterintuitive genius. How “Talking to Strangers” is received could cement Mr. Gladwell in one of those camps for good. – The New York Times
Public Statues Aren’t Used To Commemorate History. They’re Used To Craft It. Consider The Age Of Statuomania.
Dozens of statues went up in western European cities in the decades between the revolutions of 1848 and the outbreak of World War I. Nowhere were they used more deliberately to craft a national history and identity than in Belgium, which had become an independent country only in 1830. – History Today
