Dvořák Was Sure ‘Negro Melodies’ Would Be The Foundation Of American Classical Music. Why Did It Remain So White?

There was a point at which a number of African-American composers were writing serious, important work, writes Joseph Horowitz. “Racial prejudice, personal and institutional, obviously inhibited the potential success of a Dett, Dawson, Still, or Price. But a subtler prejudice was aesthetic.” – The American Scholar

After 40 Years, ‘For Colored Girls’ Returns, As A Celebration And As A Weapon, To The Theatre Where It Was Born

Ntozake Shange’s For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf “has been part of the canon since it became a Broadway hit in 1976. Still, [the play] doesn’t get a lot of professional productions; it’s been much more a staple of college theater. … But at a moment when race and gender are so prominent in the tumultuous civic dialogue — and when black playwrights, particularly women, are pushing both the content and form of contemporary American drama in new directions — the time seems right to revisit Shange’s text.” – The New York Times

‘Unmanly Grief’ — Performing A Trans Hamlet

“Jenet Le Lacheur — a transfeminine Brit who earned recognition, before coming out, in the West End production of Harry Potter and the Cursed Child — has … [recently starred] as Hamlet in Daniel Winder’s dystopian production of the Shakespeare play … The fact that Winder’s Hamlet was nonbinary and transfeminine was largely subtextual — a subtle but important thread running through the production.” – HowlRound

Why Is Netflix Canceling So Many Shows?

The more original shows Netflix orders, the more likely it is to cancel those that don’t perform well. The company relies on an “efficiency metric” to decide what shows should be kept and which should go. If a series is able to retain subscribers with a risk of leaving or bring in new subscribers (like Stranger Things), it gets renewed. If it can’t, it’s probably going to be canceled. – The Verge