How To Write Classical Concert Program Notes That Actually Engage An Audience

Lara Pellegrinelli writes that, “as a lover of words, I’d once held the opinion that ‘Notes on the Program’ are bound to be mind-numbingly, soul-crushingly boring – or one of the more effective embalming tools for classical music.” After seeing a few – too few – examples of genuinely fascinating notes, she thinks “that this genre of writing about music needs an intervention.” So she provides one, complete with six useful rules. – 21CM

In Rare Show Of Defiance, Russian Celebrities Rally Behind Jailed Actor

Pavel Ustinov, 24, was sentenced to 3½ years in prison for assaulting a police officer, though video shows that he was simply a bystander who was attacked by police at a demonstration. Many of his well-known colleagues are leading public calls for his release despite the risks to their own careers: most of them work in government-sponsored theatre, television and film. – The New York Times

Moscow’s Pushkin State Museum Will Take Over Nine Regional Contemporary Art Museums

“The Pushkin State Museum of Fine Arts in Moscow will soon take over the running of Russia’s National Centre for Contemporary Arts, whose nine branches extend from Kaliningrad on the Baltic Sea to Tomsk some 4,000km east. … Several new NCCA branches are under discussion for the university cities of Khabarovsk, Tyumen and Novosibirsk.” – The Art Newspaper

The Struggle For Control Of The Salzburg Easter Festival Is Over

“The fight has pitted two strong-willed artistic leaders against one another: Christian Thielemann, the principal conductor of the Staatskapelle Dresden and the Easter Festival’s artistic director since 2013; and the man tapped last November as his successor, Nikolaus Bachler, who is nearing the end of his tenure as general manager of the Bavarian State Opera in Munich.” Thielemann and his orchestra will be leaving Salzburg after 2022, and Bachler plans “to reinvent the festival.” – The New York Times