France And Italy Have Finally Stopped Fighting Over The Loan Of Leonardos

“Italy and France are set to sign an agreement to exchange works by Leonardo da Vinci and Raphael, burying a spat triggered by Italy’s former populist government. The deal … will result in Italian museums lending works by Leonardo to the Louvre, in Paris, for an exhibition in October to commemorate the 500th anniversary of the artist’s death. In return, France will lend Italy paintings by Raphael for events marking 500 years since his death next year.” – The Guardian

NPR Is Pulling In Serious Money From Podcasts

“NPR is projecting that podcast sponsorship revenues will surpass revenues from broadcast sponsorships next year for the first time. … The network has budgeted about $55 million in corporate sponsorship revenues from podcasts in fiscal year 2020.” NPR CFO Deborah Cowan described podcasts as “[a] huge return on investment for us and a major growth engine for our business.” – Current

This Orchestra Is Not Going To Announce Its Season. It Will Tell Its Audience What’s Coming Program By Program

“We want to announce little nuggets at a time and build as much excitement as we can,” says Arkansas Philharmonic executive director Jason Miller. This is one of several new initiatives — another is “APOx Small Bites,” a, early-evening 30-40-minute chamber concert with food and drink aimed at working families — undertaken by the orchestra for its 10th season. – Northwest Arkansas Democrat-Gazette

Should England’s Cathedrals Be The New Cultural Centers?

“We look at cathedrals returning to being the cultural hubs that they once were. Each cathedral around the country is desperately looking for a cultural agenda for their own sustainability.” He added: “It’s okay; they’re not that religious these days,” noting that cathedrals now run “everything from art exhibitions to beer festivals”. – Arts Professional

Walter Gropius, The Great Survivor/Modernist

“It was a balancing act of extraordinary deftness that only someone with strong self-discipline and steely ambition could pull off. Yet history has not dealt kindly with Gropius, especially after Tom Wolfe’s ignorant anti-Modernist diatribe From Bauhaus to Our House (1981), which mercilessly lampooned him as the chief perpetrator of a hopelessly inhumane mode of architecture and an insufferable prig to boot.” – New York Review of Books