The Cultural Appropriation Wars Come To Bang On A Can

The controversy at the Bang on a Can Summer Festival (aka Banglewood) in Massachusetts broke out over the use of didgeridoos in the 1990 work Thousand Year Dreaming by 80-year-old New Zealand-American composer Annea Lockwood. Several of the festival’s young Fellows raised concerns about Lockwood’s deployment of the indigenous Australian instrument, including, in this performance, its being played by women (traditionally taboo). But those concerns were not shared by everyone there. – New Sounds (WNYC)