Hannah Starkey didn’t start out with a feminist agenda, but she did go to art school when photography, especially portraiture, was dominated by men. “Though her photographs appear at first glance to be traditional observational documentary, they are deftly choreographed. Often she reimagines what she has observed on the street or in cafes, clubs and bars, using women she has hired to meticulously create stilled moments of female reverie, togetherness or fleeting interaction.” – The Observer (UK)