Mariss Jansons Extends With Bavarian Radio Symphony To 2024

By the time this most recent contract extension (three years) is fulfilled, Jansons will have been chief conductor of this orchestra (widely considered Germany’s only real peer of the Berlin Philharmonic) for 21 years. Considered crucial to Jansons’s agreement to extend was a government commitment to build a new concert hall for the orchestra, which performs at the acoustically poor Philharmonie am Gasteig. (in German)

Saudi Arabia Opens Its First Performing Arts Center

The 900-seat theatre/concert hall at the King Abdulaziz Center for World Culture (referred to with the Arabic name Ithraa) in Dhahran opened in June with two concerts by Valery Gergiev and the Mariinsky Orchestra to celebrate the holiday Eid al-Fitr. Ithraa, designed by the architecture firm Snøhetta and funded by the oil company Saudi Aramco, says it will present a year-round program of performances from around the world as well as music and drama by Saudi and other Arab artists.

Taking Art Out Of The Studios And Into The Streets And Communities Of Ghana

In an Accra neighborhood, a monthly parade of men in drag carrying big yellow plastic jugs, which the organizer uses to make public art in a style he calls “Afrogallonism.” An artist covering himself in blue or gold paint and slow-walking through the streets of Jamestown. Immersive installations in an old train shed and car showroom in Kumasi. Covering Accra billboards in secondhand clothing and the National Theatre in jute sacks. Billie A. McTernan writes about these and other projects to bring the arts directly to regular people in the West African country.

Today’s AJBlog Highlights 07.11.18

How Music Fans Helped Build The Intenet

Just as industrialization and digital media changed the work of being a musician, they changed experiences and opportunities for audiences. While musicians dealt with the challenges of building and maintaining careers in the face of the new realities of their field, audiences developed new histories of participating with one another on their own terms. Now, even as musicians struggle to find their ways in an internet-mediated music world, audiences flourish.