“I’m not going to say that the tide has changed, no. But … I think people who have been in power, who have mostly been white men, and people who are white, they listen now. They not only listen and are open, they make the effort for change. I do feel that has changed. I can feel it now because of the way I can push: ‘Hey, what about this? Hey, what about that?’ Trust me, I’m relentless.
Month: July 2018
The Piccassos That Used To Live At The Los Angeles Times
The artist was Pablo Picasso. The five lithographs were abstract depictions of famous literary figures, including Shakespeare, done in vibrant brushstrokes. They were among the last vestiges of a 110-piece art collection assembled in the late 1960s and early ’70s by the newspaper’s parent company, Times Mirror Co.
Could This Be How To Organize A Museum For The 21st-Century Age Of Migration?
A new exhibition in Hamburg by curator Roger M. Buergel (still known for his provocative Documenta 12 in 2007) “delivers on its contention that European museums need to do much more than just restitute plundered objects in their collections, important as that is. A 21st-century universal museum has to unsettle the very labels that the age of imperialism bequeathed to us: nations and races, East and West, art and craft.”
FCC Says It Will Change Rules On TV Programming For Kids
The Federal Communications Commission has begun the process of loosening requirements for children’s TV programming, arguing that the old rules aren’t needed in the era of kids-focused apps and streaming services.
‘New Yorker’ Writer Who’s Become Pro Poker Player Says Poker Is Far Harder Work
Maria Konnikova: “It’s really physically and emotionally and mentally exhausting. I’m just sitting at a poker table inside a casino. I don’t actually see any of the places I visit a lot of the time. It can get really lonely. … People want to get into it because they think it’s easy money are absolutely insane. It’s some of the most difficult money in the world.”
Award-Winning But Strapped Southern Literary Journal Finally Pays Off Debt
“After more than a decade, the Oxford American, a nonprofit literary magazine that explores Southern culture, has finally paid off the entire $700,000 debt it owed the University of Central Arkansas. Since the debt began accumulating in 2004 and peaked in 2008, UCA has seen four presidents, and the nonprofit magazine has parted ways with its founding editor and has a new top editor and executive director.”
Woman Brings ‘Enigma Variations’ Manuscript To ‘Antiques Roadshow’ – And Elgar Foundation Suggests That It’s Stolen
On last weekend’s UK broadcast of the popular TV series, one Jude Hooke showed the resident specialist a printed score of the “Enigma Variations” with annotations and pasted-in corrected passages of music in Elgar’s own hand. Imagine the surprise of the Elgar Foundation: that very score had gone missing in 1994 – at which time, it turns out, Ms. Hooke’s late husband was an attorney at the same firm as the Foundation’s former vice-chairman.
Truthbrary.Org: Sacha Baron Cohen Creates Parody Wingnut Website To Accompany His New Series
“Why Truthbrary? Well, as the website, which seems to have been set up last year explains, it’s a rejection of ‘THE MAINSTREME MEDIA + THE LIEbrary OF FALSE INFORMATION THEY TRY TO PUSH INTO THE PUBLICS MIND’S.'” The television project to which Truthbrary is a companion, Who Is America?, features Baron Cohen posing as an arch-conservative “citizen journalist” and includes interviews with, among others, Sarah Palin, Roy Moore, and Dick Cheney, all unsuspecting.
So What *Is* This Sacha Baron Cohen Show That Duped Sarah Palin, Dick Cheney And Roy Moore?
Not much has yet been publicly revealed about Who Is America?, which premieres next week in Britain and the US, except that Cohen posed as a right-wing “citizen journalist” named Billy Wayne Ruddick Jr, PhD, who convinced Palin and Moore to be interviewed on camera and even got Dick Cheney to autograph a “waterboard kit.” In fact, since Palin found out she’d been duped and called Baron Cohen “evil, exploitative and sick,” Baron Cohen has issued a response, in character as Ruddick, which has been reproduced here.
Head Of Bloomberg Philanthropies’ Arts Program Talks About How The Arts Demonstrably Improve Cities
Mike Scutari interviews Kate D. Levin, who was also New York City’s Department of Cultural Affairs commissioner for the 12 years Michael Bloomberg was mayor, about the “virtuous cycle that public art tends to trigger” and how government and non-governmental leaders in cities are coming to understand “the creative sector’s ability to address pressing civic issues.”