Month: July 2018

Amazon Has Made Self-Publishing Lucrative For Authors

For decades, self-publishing was derided as an embarrassing sign that an author couldn’t cut it in the “real” publishing industry—“the literary world’s version of masturbation,” as Salon once put it. And Amazon, the world’s biggest e-commerce site, with its bookstore-beating prices, was painted as an enemy to authors. But now its self-publishing service, Kindle Direct Publishing (KDP), has made it easy for people to upload their books, send them out into the universe, and make money doing so. Its store has created a place for readers to go and easily find inexpensive self-published books. The site that got its start by radically changing where books are sold is now reshaping how books are published and read.

It’s Important To Understand What Book Prizes Are (And Aren’t)

“Prizes, at least the biggest ones, help sell books. Many of them were created for just that purpose and the prize-givers are not shy about saying so, and why should they be? What’s the point of publishing great books if you can’t find an audience for them? Authors and editors all hope that a nomination or a prize will draw attention to work they’ve already committed enormous amounts of time and energy to bringing into print. Still, the contrast between the language of literary merit and that of cool business calculation can be jarring.”

The Benefactor Who Gave Away Millions Anonymously To Support Artists Comes Forward

Her own anonymous grant program is called Anonymous Was a Woman, in reference to a line in Virginia Woolf’s “A Room of One’s Own,” to pay tribute to female artists in history who signed their paintings “Anonymous” so that their work would be taken seriously. The donor behind the prize wanted to remain unknown. But now she is stepping out from behind the curtain: Susan Unterberg, herself a once underrecognized female artist over 40.

A Composer With Migraines Sees St. Hildegard Of Bingen As A Model

Jenny Giering: “In a theological work, Scivias, she described an experience strikingly similar to my own: ‘When I was 42 years and 7 months old, Heaven was opened and a fiery light of exceeding brilliance came and permeated my whole brain, and inflamed my whole heart and my whole breast.’ Hildegard is best known, though, for her music — a powerful body of mystical religious chants that are listened to more widely today than the music of any other single composer of her time. I want to talk to her.”

Playwright Young Jean Lee Loves To Watch Her Audiences – And Herself – Squirm

“Lee’s work is about wrongness: about being the wrong kind of man, woman, Asian; about saying the wrong thing; about getting other people wrong. Her characters are ill at ease in their bodies and in the world and, sometimes, in the very play they’re starring in. … With each production, she begins by asking herself, ‘What’s the last play in the world you would ever want to write?’ Then she casts actors and builds a play for them and with them, incorporating their feedback.”

Problematic Classics Make Us Uncomfortable, But They Should…

These shows are important – but we can’t be uncritical of them. When an all-new Broadway version of West Side Story was recently announced that Ivo van Hove will direct with new choreography by Anne Teresa De Keersmaeker, its lyricist Stephen Sondheim said: “What keeps theatre alive over time is reinterpretation, and when that reinterpretation is as invigorating as [Ivo van Hove’s] productions of A View from the Bridge and The Crucible, it makes for something to look forward to with excitement.”