Meet The Choreographer Who Made The Sally-Hawkins-And-Sea-Monster Dance In ‘The Shape Of Water’

“The man behind these moves is Roberto Campanella. A former National Ballet of Canada soloist and current artistic director of the contemporary ballet troupe ProArteDanza, he’s no stranger to film sets. For the last 13 years, he’s contributed movement coordination and choreography to a variety of projects, such as the Silent Hill horror movie franchise, Hallmark’s A Nutcracker Christmas (with Sascha Radetsky) and [Shape of Water director Guillermo] del Toro’s vampire show on FX, The Strain. We spoke with Campanella about his latest collaboration.”

The Four Tribes Of Art Collectors

“The most enjoyable part of leading the art division of a private bank is working with the great characters of the art market. In my experience, serious collectors tend to fall into one of four ‘tribes,’ each with their own behaviors, insecurities, strengths, and motivations for seeking, acquiring, and appreciating art.” Herewith, Evan Beard of Bank of America taxonomizes The Connoisseur, The Enterprising Collector, The Aesthete, and The Trophy Hunter.

How The American Indian Became A Marketing Symbol And National Mascot

From the status of Pocahontas and Squanto as quasi-mythical figures in the nation’s founding, through the use of Sitting Bull as an attraction in Buffalo Bill’s show, to the use of generic Indian figures as branding symbols for everything from cigarettes to baking powder to sports teams, Carolina Miranda looks at a “wildly complicated” history.

Making Theatre From, And About, Disaster And Terrorism Drills

“The point is that practice makes perfect – in theatre as in emergency situations. We rehearse for both, and ‘lockdown’ drills preparing children for the threat of active shooters are on the rise in American schools. Breach [Theatre’s] new show, The Drill, questions the effectiveness of such procedures. It asks whether playing out attacks increases rather than diminishes their potency.”