“What I find particularly interesting in this technological revolution is the continuing resistance from many musicians, conductors, architects, clients and funders who remain vehemently opposed to electronic acoustics — despite their obvious benefits. This camp claims that the technology and underlying power supplies are not dependable, that the complexity of the system is beyond them, and that the sounds are just not good. This resistance is not a small thing. Installation of these new technologies forces huge additional expenditures and investments in order to create the volumes of space, proper materials and reflecting angles required.”
Month: February 2018
Kentucky Governor Tries To Kill The State’s Arts Programs
Bevin has spent two years trying to undermine the Arts Council and its work. In addition to his 2016 board reorganization, he forced out veteran executive director Lori Meadows. Her successor, Lydia Bailey Brown, lasted nine months. Since Brown quit five months ago, there has been little apparent effort to find a new director. The annual Governor’s Awards in the Arts, which the Arts Council manages for the governor’s office, also has gotten weird.
Listen To The Painstaking Way Glenn Gould Recorded The Goldberg Variations (Studio Sessions Released)
“It’s still amazing to hear the seemingly impossible clarity of Gould’s playing, the sometimes manically fast tempos. And, for all his frenetic energy, in passage after passage, he brings out the music’s majesty, dancing grace and tenderness. Hearing the intense young Gould at work during these arduous recording sessions, playing through a variation at a breakneck tempo with prickly sound, then playing it again, and again, and again, is not just exhausting; it’s stupefying. What, I asked myself, was the point?”
Separating Bad-Acting Artists From Their Art
“A misconception abounds that feminists who want to bring abusers to account don’t accept Roland Barthes’s “death of the author” principle. This is not really true, at least for me. I consider Woody Allen and Roman Polanski’s movies gifts, to me and to the culture—even when they’re bad—and I’m never giving them back. I don’t want Allen and Polanski to have control over their own legacies or even over their own works. If they don’t get to dictate how I interpret their films, then they don’t get to control anything about the film industry. We, the viewers, do.”
Inside The Cleveland Orchestra’s 100-Year Archives
Unless you’ve toured the orchestra’s archives, you cannot fully appreciate its scope. Stored in the lower levels of Severance Hall are thousands of recordings on every medium from wax pressings and reel-to-reel tape to digital formats and video, preserving events of all types from almost every year of the orchestra’s now 100-year existence. And that’s just the audio collection. In addition to recordings, the trove also includes a wealth of physical objects and artwork as well as print material such as program books, photos, musical scores, and historical documents.
Artists Break Into Mexico City Museum To Protest Programming
On Sunday morning, the artists jumped the wall at El Eco and proceeded to break windows, set off smoke bombs (an article on the Excelsior newspaper website suggested instead that they “activated the extinguishers to provoke clouds of smoke”), and damage a bronze work by artist Yolanda Paulsen. According to our source, the cops showed up about 15 minutes later but left shortly after, apparently because the officers felt there was no emergency after the protesters allegedly explained that they were undertaking an artistic action.
How YouTube’s Algorithm Distorts The Truth To Make You Watch More
“YouTube is something that looks like reality, but it is distorted to make you spend more time online. The recommendation algorithm is not optimising for what is truthful, or balanced, or healthy for democracy.”
Portland Theatre That Had Been In Money Trouble Gets $7 Million Gift
Artists Repertory Theatre had plans to sell half of its building, including one of its theatres, to a development group that was going to turn the pricey Portland real estate into a 20-story housing and retail building. That may still happen, but the $7 million – one of the largest arts gifts in Oregon’s history – allows the theatre company to pay off its mortgage and be, the artistic director said, “in control of our own destiny.”
Angels In America Gets Its Own Thorough History
How did a few interviews about the play turn into a book? The authors: “We kept getting so much amazing stuff. Every single person we talked to would tell us the kind of story you tell about the defining artistic and intellectual moment of your life. No one was like, ‘Oh yeah, it was great. I don’t remember much about it.'” Then there was the Robert Altman movie idea.
Barbara Kruger, Still Relevant – Actually, Essential
The artist isn’t personally on Twitter or Instagram – or rather, she’s on them all of the time, but simply to observe. “As uncomfortable as she seems with contemporary standards of personal exposure, she is at ease in the realm of the abstract. As in her work, she quickly distills dissertation-worthy topics into stuff you want to put on a sweatshirt. ‘History is a circle jerk of hurt and damage,’ she told me at one point.”