These Designers Are Academy Award Nominees For Two Different Movies In The Same Category

That’s right, they’re nominated for both Beauty and the Beast and Darkest Hour – one for costume design and two for production design. The women often work together. Who should win the Oscars? “Personally you know which you think you did your hardest work for. … But that doesn’t necessarily translate into which is the best film.”

Number Of Leading Women Roles In Hollywood Movies Fell Last Year

The number of female protagonists in the 100 highest-grossing films fell five percentage points last year, according to a new report from San Diego State University’s Center for the Study of Women in Television and Film. Women made up 24 percent of featured protagonists, defined for the study’s purposes as characters from whose perspective the story is told. It’s an odd occurrence, given that the three most popular films of last year’s domestic box office list each featured a woman in a lead role: Rey in “Star Wars: The Last Jedi,” Belle in “Beauty and the Beast” and Diana Prince of “Wonder Woman.”

The Rock Star German Philosopher Who Seems Like A Prophet

In Germany, where academic philosophers still equate dryness with seriousness, Peter Sloterdijk has a near-monopoly on irreverence. This is an important element of his wide appeal, as is his eagerness to offer an opinion on absolutely anything—from psychoanalysis to finance, Islam to Soviet modernism, the ozone layer to Neanderthal sexuality. An essay on anger can suddenly plunge into a history of smiling; a meditation on America may veer into a history of frivolity. His magnum opus, the “Spheres” trilogy, nearly three thousand pages long, includes a rhapsodic excursus on rituals of human-placenta disposal. He is almost farcically productive.

Carsten Höller On The History, And The Importance, Of Slides

“As we hurtle ever deeper into the Anthropocene, itself a concept many of our leaders have yet to fully grasp, we’ll have to challenge more and more of our assumptions. The slides I construct in my work are art objects – with them, I hope to inspire, to induce questioning, to recalibrate a person’s understanding and experience of their self. The madness of a slide, that ‘voluptuous panic,’ is a kind of joy.