“People in the theater are the left. I’m always interested in skewering, examining and implicating the people in the room because they are the ones that showed up for the performance. Once you implicate them, then they actually start thinking about what their position is. I’m doing the monologue and if I’m telling you, ‘You agree with me, don’t you?’ and you say ‘I do,’ and I say ‘I do too, I feel so good about that,’ that’s not useful.”