Are We Losing Our Sense Of Self In The Age Of Distraction?

“With each post, each tap of the screen, each drag and click, I am becoming a different person — solitary where I was once gregarious; a content provider where I at least once imagined myself an artist; nervous and constantly updated where I once knew the world through sleepy, half-shut eyes; detail-oriented and productive where I once saw life float by like a gorgeously made documentary film.”

Theaster Gates Bought This Bank For $1 And Turned It Into Something Remarkable

“This is a new kind of cultural amenity, a new kind of institution—a hybrid gallery, media archive and library, and community center. It is an institution of and for the South Side—a repository for African American culture and history, a laboratory for the next generation of black artists and culture-interested people; a platform to showcase future leaders—be they painters, educators, scholars, or curators.”

Why We Need To Overhaul The Humanities

“By the end of the 20th century, the humanities departments in universities had become closed enclaves. The writing of scholars in these disciplines had grown increasingly dense and jargon-filled, inaccessible to anyone without years of graduate study. For some academics, this enforced isolation became stifling. They sought new forms of expression. Thus literary theorists Wendy Steiner, Frank Lentricchia and Henry Louis Gates Jr. have turned to opera librettos, mystery novels and PBS documentaries.”

LOVE Conquered All: How Robert Indiana’s Sculpture Went From Artwork To Meme To Icon

“With its four letters stacked in a square and its O at a jaunty angle, [LOVE] is so famous that many millions of viewers may not even realise it’s an artwork at all. But it is an artwork – one that hovers over Indiana’s career like a helicopter, and that has obscured almost all his other work over the past six decades.” (If only he’d copyrighted it.)

Magnetic Poetry, The Populist Product That Began With A Sneeze

“In the late 1990s, you couldn’t hunt for a snack in an American home without coming across a magnetic poem or two. But in the decades since the product first stuck itself to the collective consciousness, fridges nationwide have slowly begun shedding their words. The history of the form itself, though, goes back much farther than Kapell’s sneeze – and the increasingly digital future will likely only widen its reach.”