Why Debates About Today’s Big Issues Have So Little Historical Context

“In contrast to earlier centuries, when the historian’s craft had been the preserve of amateurs such as Gibbon and Macaulay, the 20th century was the era when history professionals emerged – men and women who earned their living from teaching and writing history as employees of universities. Like other professionals, they sought advancement by becoming unquestioned masters of a small terrain, fenced off by their command of specialist archives. The explosion since the 1970s of new subdisciplines – including social history, women’s history and cultural history – encouraged further balkanisation of the subject. Academic historians seemed to be saying more and more about less and less. In consequence, the big debates of our day lack the benefit of historical perspective.”

Constable Painting Bought For $5,300 Sells For $5.2 Million

“The award for the most compelling market tale undoubtedly goes to the third highest-selling painting, a rediscovered John Constable landscape, Salisbury Cathedral from the Meadows (1831), that sold for $5.2 million, far exceeding its $3 million high estimate. The consignor had acquired the work at Christie’s London in July 2013, and paid a mere $5,300 for it.”

The Psychology Of Wearing Glasses

When constant-use glasses were first introduced at the start of the 18th century—before, eye assistance was relegated to occasional-use monocles and, presumably, power-squinting—spectacle wearers were mysterious folk. “What were these secret weapons they had on their face? What is this person doing with this device on? Are they trying to capture my soul or something?”

Pop Music As Serious Art (So Tell Me Something Else I Don’t Know?)

“Pop has long been resident in the hallowed halls of academe. Pop music studies have a place in university music faculties on almost equal terms with classical and world music. It has its own journals, distinguished elder statesmen and iconoclastic upstarts. Pop’s arrival at the top table is part of the revolution that swept through universities in the Seventies with the arrival of cultural studies.”

Where Critics Have Failed The Art Of Movies

“Independent filmmaking is wilder and freer than ever, owing in part to the readier availability of equipment and in part to the mere march of time and proliferation of ideas. But, at the same time, Hollywood filmmaking is even more brazenly commercial. The gap between the independents and the profit centers is increasing along with the quality of independent films.”