Warsaw Opera Protests Funding Cuts With Mozart Requiem

“Touting itself as the world’s only opera house to perform all of Mozart’s stage works every summer, the Warsaw Opera will perform the marathon programme this year from June 15 to July 26, but ensemble officials warned it could be the final curtain come August. With the subsidies cut, the opera house will no longer be able to pay salaries after the summer season, nor will it manage to afford its rent in central Warsaw. Director Stefan Sutkowski has announced he will resign once the Mozart festival is over.”

Japanese Film Industry Thrives Despite Lack Of International Cachet

“Japan doesn’t seem that phased by its lack of clout. Inside its borders, it’s getting on perfectly fine: it’s still (just) the second-largest film market in the world, buoyed by the teeming V-cinema circuit. The industry is in a far healthier state in the early 90s, when its own studio system, undermined by VHS and US imports, was teetering on the brink.”

Baltimore’s Contemporary Museum ‘Suspends Operations’

“The Contemporary’s board voted unanimously to suspend its work, cutting short an exhibit scheduled to continue through May 27, and letting go executive director Sue Spaid and four part-time staffers.” Said the board president, “We are not shutting down. The museum is ceasing its programs for the time being. How long that’s going to be is everyone’s guess.”

Doc Watson, 89, Country Guitar Legend

Over a seventy-year career, “the blind folk singer and guitarist whose dazzling string work and homespun stage manner transported concert audiences … influenced such diverse musicians as Jerry Garcia of the Grateful Dead, Clarence White of the Byrds, the innovative acoustic picker Leo Kottke and bluegrass multi-instrumentalist Ricky Skaggs.”

Protesters Disrupt Israeli National Theatre’s Performance At Shakespeare’s Globe

At the Habima Theatre’s London performances of The Merchant of Venice, “spectators were met with airport-style security, advance notices of ‘conditions of entry’ and a note by the box office informing patrons that missiles, among other items, would not be allowed into one of London’s most beloved theatrical addresses.” (Protesters managed to interrupt the show briefly nevertheless.)