Mark Rylance To Premiere HisOwn New Play At Guthrie

“Mark Rylance has cribbed from the work of Louis Jenkins long enough. Having twice recited compositions by Mr. Jenkins, the mischievous poet of Duluth, Minn., in lieu of more traditional acceptance speeches at the Tony Awards, Mr. Rylance will give him proper credit on a new play they have written together and which will make its debut at the Guthrie Theater in Minneapolis next year.”

Re-Thinking What Makes Art ‘Authentic,’ As A New York Critic Visits Mali

Holland Cotter: “In the West we have a particular definition of authenticity and a mania for it as a standard for art, especially art that we envision as elemental, unmodern, unspoiled. We gauge genuineness in terms of age, rarity, uniqueness, history of use, motives for creation. But in Africa, as often as not, authentic is simply what works, socially and spiritually: for example, the way each Dogon tourist dance keeps a larger dance, and Dogon identity, alive.”

Designer/Developer Builds New Buenos Aires Arts District ‘From Scratch’

Fashion designer-turned-real estate magnate Alan Faena is creating “a sort of Shoreditch-by-the-River-Plate for culture-starved Argentines” in the waterfront neighborhood of Puerto Madero. The district already has a new visual art center; there are plans for a hotel by Philippe Starck, a residential complex designed by Norman Foster, and “parks, cultural centres and an artist residency.”

Engineers Argue That Christchurch’s Original Cathedral Can Be Saved

“A prominent group of engineers say it is ‘technically feasible’ to restore the Christ Church Cathedral” – badly damaged in last year’s earthquakes – “and have launched a 100-signature petition to halt the demolition.” City officials had determined that the late-19th-century structure was too badly damaged to be safe, and the local Anglican Diocese says that reconstruction to current codes would be too costly.

Robert Lepage’s Vegas/Cirque Du Soleil Show Vs. His Met Opera Ring Cycle

“There are, on the surface, few similarities between Ka and Wagner’s Ring, besides the brandishing of a large nugget of what appeared to be gold at the start of the Cirque show and a shared fixation on twins. … [Yet] it is nevertheless possible to see how Peter Gelb and others at the Met could have watched Ka and wanted Mr. Lepage to direct the Ring.”